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The Creative

The Creative Computer Donald R. Michie and Rory Johnston... [Pg.442]

Similarly, airborne emission limits have been estabHshed by the NRC for nonrestricted areas. Limits of surface contamination must be estabHshed to provide a safe workplace for users (19). The appHcation of the as-low-as-reasonably-achievable (ALARA) principle to the above draws on the creative talents of the user to regard the limits as nonapproachable barriers and not as tolerable maxima for discharge. [Pg.439]

Do we have the creative climate, tools, and resources conducive to the creation of inventions Do we recognize the importance of a proprietary position Have we developed a patent strategy ... [Pg.129]

The task of process synthesis is to evaluate these schemes and select the best. The creative possibilities of design do not stop here. For example, these separations can be carried out by heat integration, by multiple-draw columns, or by use of processes other than distillation many other variations are possible. [Pg.81]

The work must also be the product of an author. That is, a human being has created the work, even if at the behest or for the ownership of a corporate entity and even if a machine or device, such as a camera or a computer program, was used as a tool in the creative process. [Pg.263]

The procedure given in Fig. 30-15 leaves much to analysts. Criteria for selecting the number ana location of measurements for a particular piece of equipment or unit have not been established in the literature. Therefore, there is heavy reliance on examining alternative models at the bottom of the procedure. The creativity of analysts to develop alternative explanations for performance or hypotheses explaining why the present model might be wrong is a particularly important skill. [Pg.2564]

The what if/checklist is a broadly based hazard assessment technique that combines the creative thinking of a selected team of specialists with the methodical focus of a prepared checklist. The result is a comprehensive hazard analysis that is useful in training operating personnel on the hazards of the particular operation. [Pg.50]

What-ll/Checklist combines the creative, brainstorming features of a What-lf with the systematic features of a Checklist. The What-lf analysis considers accidents beyond the checklist the check list lends a systematic structure to the What-lf analysis. A What-lf7Checklist examines the potential consequences of accident scenarios at a more general level than some of the more detailed I l liA methods. It can be used for any type of process at any life cycle stage. [Pg.84]

Brainstorming is a free-form process that taps into the creative potential of a group through association of ideas. Association works as a two-way current when a group member voices an idea, this stimulates ideas from others, which in turn leads to more ideas from the one who initiated the idea. [Pg.819]

There is no denying (nor should there be any need to deny ) that the sheer sense of challenge posed by a complex molecular target serves to stimulate the creative impulses of the synthetic chemist. S. J. Danishefsky16... [Pg.8]

This opens wide the door to the creative imagination of the chemist at the meeting point of chemistry with biology and physics, in order not only to discover but above all to invent, to create the score of chemistry is not just to be played but to be composed ... [Pg.12]

IDs are essential to all industries that relate to research, engineering, production, and marketing activities. They must exercise the creativity imagination that sets them apart from being a mere modifier of what the competition offers. There is a difference between IDs and other professions whose functions are sometimes confused with those of IDs. The true artist, for instance, produces a personal interpretation of what one feels and creates the final object alone. The IDs do not ... [Pg.16]

My own contributions to this field rely heavily on the creative cooperation with enthusiastic coworkers who are cited in the references. I am indebted to generous financial support of our work by the Arbeitsgemeinschaft Industrieller Forschungs-vereinigungen e. V., the Deutsche Forschungsgemeinschaft and the Fonds der Che-mischen Industrie. Finally but not least, I am thankful to Mrs. Kolle and Mrs. Quiller, who typed the manuscript with care and patience. [Pg.142]

This new route of access has required new approaches. Rather than sewing together a collection of review articles, a framework has had to be designed that reflects the creative potential of the science and is hoped to stimulate its further development by identifying areas of research that are most likely to be fruitful. [Pg.21]

The goal of this chapter is to provide semirealistic design and optimization exercises. Design is a creative endeavor that combines elements of art and science. It is hoped that the examples presented here will provide some appreciation of the creative process. [Pg.187]

It is Luther s mode of interpretation, however, that facilitated the development of his alchemical theosophy of Christ as the Ruah-Elohim, the quintessential Spirit of Nature and the creative Principle of alchemy. Metaphors of Christ as the philosopher s stone had been... [Pg.57]

Mechanism The understanding of mechanisms in catalytic reactions is sometimes crucial for the creative development of new applications. In a first approach, the main interest was to develop high surface area titanium nitride as a material for catalytic applications and, therefore, evaluation of catalysts prepared under different conditions was performed. [Pg.291]

Acknowledgments. Our work described here has been supported by the Creative Research Initiatives Program and International Joint R D Projects of the Korean Ministry of Science and Technology, and in part by the Bain Korea 21 Program of the Korean Ministry of Education. We also thank Dr. S. Samal for helpful discussions in preparing the manuscript. [Pg.138]

The evolutionary history of symbiotic nitrogen fixers is therefore a tale of coevolution, which occurred in the shadow of their hosts, chasing their growing roots, and striving for adaptation. It is an example of how bacterial genetics has managed to keep pace with the creative power of eukaryotic sexual recombination. Mobile replicons, insertion elements, and symbiotic islands prone to move have helped rhizobia to succeed in their pursuit. The race, naturally, is not over and, looking at it from a distance, what we have. seen, compared to what we have yet to see, is probably just a cloud of dust. [Pg.320]

The creative part of the design process is the generation of possible solutions to the problem (ways of meeting the objective) for analysis, evaluation and selection. In this activity the designer will largely rely on previous experience, his own and that of others. [Pg.3]

Distillation brings the creative out of us. It encourages all that we are to manifest in balanced and serenely powerful ways. It heralds the entry of the influence of the higher forces and the balancing of those forces with the lower ones, which provide our "groundedness," so crucial to wholeness... [Pg.385]

Sullivan, G.B. "The alchemy of art a study in the evolution of the creative mind of John Keats." PhD thesis, Univ of Nebraska-Lincoln, 1967. [Pg.662]


See other pages where The Creative is mentioned: [Pg.11]    [Pg.18]    [Pg.1289]    [Pg.77]    [Pg.324]    [Pg.12]    [Pg.369]    [Pg.680]    [Pg.376]    [Pg.378]    [Pg.385]    [Pg.385]    [Pg.9]    [Pg.563]    [Pg.193]    [Pg.337]    [Pg.31]    [Pg.34]    [Pg.130]    [Pg.145]    [Pg.160]    [Pg.307]    [Pg.471]    [Pg.324]    [Pg.394]    [Pg.421]    [Pg.486]    [Pg.487]   


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