Dialogue purposes

Software base complexes are used for this purpose, which realize analytical restoration algorithms and various procedures of tomograms processing Program complexes ensure the control of a measuring process and dialoguing with the operator. 

Measurement uneerlainty is the key figure for the deeision if a measurement result is fit for the eustomer s purpose with regard to the accuraey of the measurement. It is part of the validation of the method to find out if these requirements ate met. In matty eases the problem is that the eustomers are not used to speoify these requirements. Then the laboratory has to olatify this in dialogue with its eustomer. 

The dialogue is in blank verse except during the mountebank s pitch. Volpone s sales talk is purposeful and pragmatic. It is important to remember the presence of Mosca during Volpone s oratory. Though he hasn t a line, he engineered the performance and knows which is Celia s window. He is the device that focuses Volpone s and our attention on her presence in the window. 

In a dialogue appended to Symon Hessus message, Frag und antwort Symonis Hessi und Martini Lutheri.. . (Question and Answer of Symon Hessus and Martin Luther), the satirical purpose is all but abandoned. Symon appears to be sympa-... 

Well-constructed sentences/strong, varied, purposeful structure/natural dialogue if applicable/fragments, if any, add style... 

Coalition for Environmentally Responsible Economies (CERES) Principles (CERES, 1989) includes ten principles for voluntary organizational endorsement, the purpose of which is to not only formalize their dedication to environmental awareness and accountability, but also actively commit to an ongoing process of continuous improvement, dialogue and comprehensive, systematic public reporting. These are one of the oldest sets of principles and were originally named the Valdez Principles (CERES, 1989). 

Certainly, at the beginning of our DCM inspired process at University of Nevada, Reno, rubric was almost a dirty word. However, our focus groups and subsequent star rubric (yes, we have embraced the word) have become a source of pride for our assessment. The shift from avoidance to acceptance was spurred by the conversations among instructors regarding what they needed to assess portfolios for programmatic purposes. The star rubric that resulted from hours of dialogue provides a way for all of our audiences to benefit from the assessment results. McBride and Detweiler... 

What follows is the Core writing program administrator s recollection of the dialogue (emphatically not verbatim, with events condensed, stylized, or omitted to suit her purposes as the teller of this tale) ... 

In the short script, where dialogue is best kept to a minimum, a detailed story outline can occasionally serve the purposes of a first-draft screenplay. There are students who prefer to answer the questions and move directly to a rough draft. If this second method is your choice, you will probably find that writing a bare-bones outline of this draft can help you spot problems in motivation and structure before going on to the next draft. It is much easier to see such difficulties when the scenes are laid out in sequence on a single sheet of paper. 

Beginning screenwriters often tend to pack their characters speeches with information, both necessary and unnecessary. What is necessary—and, in the short film, it shouldn t be much—can often be given through behavior, or through dialogue whose primary purpose is to forward the dramatic action, as in the excerpt from Thelma and Louise. 

Like every other dimension of the short film, dialogue has to be exercised with economy and purposefulness. There is no time for lengthy speeches or excessive exposition. Perhaps the most useful strategy with dialogue is to view it as another opportunity to further the emotional drive of your screen story. In this sense, dialogue should be as animated, intentional, and active as the visual dimension of your story. Consider dialogue as much a part of the action of the script as the visualized actions. 

The purpose of the dialogue is to tell us they want to climb all the way to a peak neither can see. The reference to heaven alludes to the goal but does not state it directly—although to do so is also an option. 

The system consists of three major modules the Control Module, the Knowledge Base Module, and the User Interface Module. Figure 1 shows a schematic of this architecture. Arrows between modules represent the flow of information. The flow of the session and dialogue with the user are controlled by the Control Module. The Knowledge Base Module provides all the necessary information for making test plans analysis items, sample types and purposes of analysis, analysis tasks and customers. All input and output, in various forms including menus, tables and graphics, are processed by the User Interface Module. 

In the logical-structural approach, an attempt is made to include procedures that model the researcher s intentions. This is done by introducing some interactive (dialogue) regimes in the work of the researcher with the computer. Finn and co-workers created a computer version of the so-called verisimilar reasoning (in the style of J. C. Mell) worked out for automatic creation of hypotheses based on a cause effect analysis of nonnumerical data under the conditions of incomplete information. The purpose of verisimilar conclusions is to reveal similarities and distinctions in the structural graphs of different molecules in the series under consideration, and these similarities and distinctions should correlate with the molecular properties. 

Since you cannot invent substances, you are obliged to fall back on inventing names. Another one is directed against their positivism chemists are as stupid as a fact . For our purposes, the most interesting attack is unraveled in a brief dialogue between Japhet, the chemist, and Plan-chette, the mechanical philosopher ... 

---