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Varnish degradation

Chloric(III) acid is a fairly weak acid, and is an oxidising agent, for example it oxidises aqueous iodide ion to iodine. Sodium chlorate(III) (prepared as above) is used commercially as a mild bleaching agent it bleaches many natural and synthetic fibres without degrading them, and will also bleach, for example, oils, varnishes and beeswax. [Pg.339]

UNSATURATED POLYESTER RESINS ON THE BASE OF CHEMICAL DEGRADATION PRODUCTS OF PET WASTE FOR VARNISHES... [Pg.53]

Cellulose nitrate (Celluloid) 1850 Moulding material, paints, glues, coatings, photographic films, varnishes Camphor, phthalate esters High flammability and degradability, with production of nitrogen dioxide... [Pg.27]

In the last few years the characterization of the organic constituents of paint media by GC analysis has received increasing attention, due to the fact that organic materials used as binders or varnish are likely to be involved in the degradation process. [Pg.205]

The terpenoid resins commonly used as artists materials were colophony, Venice turpentine, mastic, dammar, copals and sandarac, and most of the scientific literature concerning the identification of Old Master varnishes and the study of their degradation focuses on these resins. [Pg.333]

During the early stages of the setting reaction, both water uptake and water loss can occur. The matrix is sensitive to water attack and can degrade. It is therefore desirable that the material set as soon as possible once placed in the mouth. Light-cured varnishes are often used to seal newly placed restorations... [Pg.16]

Electron paramagnetic resonance spectroscopy (EPR) (also called electron spin resonance spectroscopy, ESR) has been scarcely applied in the field of art and art conservation. Some work can be found in which EPR is used as complementary technique to SEM-EDX, NMR, and mass spectrometry (MS) for studying free radicals occurring in polymerization, pyrolytic, oxidative, and other radical degradative processes in artwork, as well as in the characterization of varnishes and oleoresinous media [42]. [Pg.21]

Paints and varnishes for use on exteriors of buildings must be protected from the effects of solar radiation which accelerate their degradation (photolysis and photochemical reactions). Given that M = 500 gmol-1 emax = 15 0001 mol 1 cm"1 for Amax - 350 nm, what must be the concentration (expressed in g 1 1) of a UV additive M such that 90% of the radiation is absorbed by a coating of thickness 0.3 mm ... [Pg.218]

The conditions that most commonly lead to sludge and varnish problems vary, which complicates the process of identifying the root cause analytically. There are at least 25 unique lubricant degradation mechanisms leading to sludge or varnish formation, including ... [Pg.1516]

Lubricants degrade in different ways and the products of this degradation are essentially referred to as sludge and varnish. These products are generally unstable in the oil and look for a place to deposit themselves. In certain instances, the deposits form on machine surfaces at the exact location where the oil has degraded, for example, hot surface coking. In other cases, the oil degrades in one location but deposits condense on a surface elsewhere. [Pg.1517]

Fig. 1 Typical cross-sectional profile of a painting. In this case, the interest lies in removal of the indicated superficial pollutants or contaminations, as well as in the removal of the upper, degraded layers of the varnish, without affecting the highly sensitive pigments in the paint layer... Fig. 1 Typical cross-sectional profile of a painting. In this case, the interest lies in removal of the indicated superficial pollutants or contaminations, as well as in the removal of the upper, degraded layers of the varnish, without affecting the highly sensitive pigments in the paint layer...
Case studies. The CL immunochemical techniques was applied on genuine old samples in order to evaluate its performance in samples with a natural aging and degradation of target proteins. A sample collected from a wood painting by Nicolo Rondinelli (c. 1450 - c. 1510), an Italian painter of the Renaissance period, was analyzed. Experimental results showed the presence of ovalbumin in the upper-most painting layer, probably due to the use of an egg-based varnish (Fig. 2). [Pg.349]

The ease of brushing, A-h air-dry, and recoatability make these excellent trade sales coatings. The fact that their water and alkali resistance is better than that of most other oil-containing vehicles makes them more durable to cleaning with household detergents. As exterior clears for the protection of wood, phenolic varnishes offer premium performance. Their combination of exterior durability and ability to protect wood from degradation by ultraviolet radiation is unsurpassed by any other coating. [Pg.1156]


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See also in sourсe #XX -- [ Pg.11 , Pg.414 ]




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