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Paint poster

Handmade paper tempera paint (poster paint) oil or egg tempera paint prepared in Activity 2.5 paintbrushes mixing trays water containers water construction paper, newspaper, magazine pages, and other available paper bits of cloth, thread, and other materials scissors glue 12-x-18-in. collage ground, such as cardboard. [Pg.141]

Early fluorescent pigments were promoted and adopted for use in screen inks for poster boards and paints for safety applications. These thermoset pigments were not well-suited because of their poor fightfastness. Also, because of their relatively coarse particle size, their use in thinner film applications, such as gravure or flexo, was limited. [Pg.294]

Ownership of the copyright in a work is distinct from ownership of the material object, ie, the copy or phonorecord, in which the copyrighted work is embodied. The transfer of one does not constitute transfer of the other. Eor example, if a painter sells his or her painting, ie, the material object, such as canvas and oils, the painter does not automatically transfer the copyright in it sale of that copyright, so as to allow reproduction of the oil painting in printed posters, does not transfer the material object. [Pg.264]

P.Y.97 is used in a variety of fields. Even in pastel shades, it is used in industrial finishes while its full shades lend color to automobile refinishes. In emulsion paints, both its medium and full shades are suited to exterior application. The printing ink industry uses P.Y.97 in high grade printing products, especially where excellent fastness is required, such as in stable posters, etc. It lends itself without difficulty to all printing techniques. However, lack of fastness to monostyrene and acetone and therefore a certain tendency to bleed in these media precludes its application in deco printing inks, i.e., for decorative laminates. [Pg.227]

You point at a poster on the wall. The hypercube has often been used in art. My favorite is the unfolded hypercube from Salvador Dali s 1954 painting Corpus Hypercubus (Fig. 4.8). By making the cross an unfolded tesseract, Dali represents the orthodox Christian belief that Christ s death was a metahistorical event, taking place in a region outside of our space... [Pg.91]

Red, yellow, and blue poster paints paintbrushes paper mixing trays paper towels water containers. [Pg.33]

Poster paints paintbrushes colored markers or colored pencils 12-x-18-in. [Pg.43]

Solutions from Demonstration 1.3 pencil ruler turquoise, black, and white poster paints paintbrushes white paper suitable for painting mixing trays water containers. [Pg.56]

Pencil ruler a full-strength color of poster paint (from the color wheel) ... [Pg.57]

Handouts 1.2 and 1.3 (pages 60-61) pencil ruler 20-x-22-in. white posterboard scissors glue or rubber cement, full-strength color of poster paint (from the color wheel) black-and-white poster paints small paintbrushes mixing trays water containers black markers. [Pg.58]

Handouts 1.4 and 1.5 (pages 66-67) pencil ruler white posterboard poster paints (in complementary colors from the color wheel) paintbrushes mixing trays water containers heavy scrap paper and small pieces of cardboard or posterboard scissors glue or rubber cement. [Pg.65]

Each artist has a favorite medium that best fits his or her needs. Following is a short description of various paint media—watercolor, egg tempera paint, oil paint, and acrylic paint—and their advantages and disadvantages. A discussion of poster paint (or tempera paint), suitable for school use, is also included. [Pg.100]

Tempera paint, often called poster paint, is a student-grade, water-based paint suitable for school use, especially in the lower grades. The advantages of poster paint outweigh the disadvantages ... [Pg.103]

Students will experience the characteristics of watercolor, poster paint, and acrylic paint through hands-on application (all levels). [Pg.103]

Ruler pencil poster paints, watercolors, and acrylic paints in various colors mixing trays water container paper towels medium ( 5) paintbrushes 12-x-18-in. paper suitable for painting small sponges. [Pg.104]

Are watercolor, acrylic, and poster paints always homogeneous solutions Explain. [Pg.105]

Poster paints come in limited colors. They can have a chalky appearance. Watercolors cannot be used to produce actual texture. Some of the colors fade when exposed to sunlight. Colors can be lifted off to lighten an area. Colors can be applied so they are transparent to light. Acrylic paints are easily painted over when dry. However, they are sometimes difficult to blend. [Pg.115]

If watercolor paints are in dry cake form, the dry cake must be mixed with water to make a paint. Improper mixture can result in a heterogeneous mixture. When acrylic and poster paints are diluted with water, heterogeneous mixtures can also result. [Pg.116]

Egg yolks, pigments (see below), powdered or liquid tempera (poster paint) in assorted colors, and distilled water, or egg tempera paint prepared in Activities 2.3-2.5 gesso grounds prepared in Activity 3.2 narrow-width paintbrushes with soft bristles paper towels mixing trays water containers pencils. [Pg.131]

Use the colors, brush strokes, line, and technique of that artist to create your painting. Acrylic, oil, watercolors, or poster paints can be used. When you re finished, post your painting on a wall. Classmates should guess what artist you are imitating and explain the reason for their guesses. [Pg.336]

Moon is an artist, MCS patient and founder of Creative Canaries, an organization for artists with MCS. Moon herself makes fantastic paintings, photographs, MCS posters, and T-shirts. Visit www.moonmcneill.de and www.cre-ativecanaries.org for more information about her, her work, and her organiza-... [Pg.187]

Natural materials can be found in many forms in museum collections. The items in this photograph include wool, cotton, wood, leather, dried plant materials, paints, and metal alloys. Rug/carpet kurdish mid-twentieth century wool on cotton, naturalpigments/dye. Basket Hopi piki-bread tray, wicker, early twentieth century. Kachina c. 1970 cottonwood root with water-based (poster) paint, fabric, wool, feathers, yarn, fur ruff, unsigned (cloth "cape is also painted). Books calfskin, marbled paper, gold. Baseball leather, linen cord, pen ink. Glove leather, metal (grommets). Gun wood, metal (brass, steel). [Pg.217]


See other pages where Paint poster is mentioned: [Pg.32]    [Pg.1]    [Pg.296]    [Pg.462]    [Pg.46]    [Pg.53]    [Pg.8]    [Pg.132]    [Pg.463]    [Pg.753]    [Pg.756]    [Pg.57]    [Pg.62]    [Pg.63]    [Pg.103]    [Pg.124]    [Pg.195]    [Pg.235]    [Pg.152]    [Pg.103]    [Pg.138]    [Pg.566]    [Pg.1034]    [Pg.342]   
See also in sourсe #XX -- [ Pg.103 ]




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