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Dali, Salvador

I have not had drug-induced psychedelic experiences, although many people who read my Neoreality books seem to think I have had chemically enhanced hallucinations. In some sense, I have to put a damper on my creativity and visions. Some of my publishers even tell me I write too much and should slow down. Nevertheless, my mind, visions, and ideas continually fly. As Salvador Dali said, I am the drug ... [Pg.242]

You point at a poster on the wall. The hypercube has often been used in art. My favorite is the unfolded hypercube from Salvador Dali s 1954 painting Corpus Hypercubus (Fig. 4.8). By making the cross an unfolded tesseract, Dali represents the orthodox Christian belief that Christ s death was a metahistorical event, taking place in a region outside of our space... [Pg.91]

Figure 4.8 The Crucifixion Corpus Hypercubus), by Salvador Dali (1954). Oil on canvas, Metropolitan Museum of Art, Chester Dale Collection. 1999 Artists Rights Society, New York. [Pg.93]

Four Dancers, Edgar Degas, 1899 Breezing Up, Winslow Homer, 1876 Persistence of Memory, Salvador Dali, 1931 The Starry Night, Vincent van Gogh, 1889... [Pg.21]

Any nonobjective mobile by Alexander Calder (kinetic), twentieth century Any sculpture by David Smith (nonobjective), twentieth century Life Death (neon, abstract, kinetic), Bruce Nauman, 1983 Any piece of jewelry by Salvador Dali (abstract), twentieth century... [Pg.203]

Some artists, such as Henri Matisse, chose to use bold colors not natural to the subject, distortion, simplification, and visual texture to describe their ideas. Because of the shocking effect of the works of Matisse and the works of other expressive artists of the early twentieth century, the artists were given the name fauves, meaning wild beasts. Others, such as Pablo Picasso, chose to break down their subjects into simple geometric forms, calling their form of abstraction cubism. Still others, such as Salvador Dali and Rene Magritte, chose to draw upon dreams and fantasy to express their views in a style called surrealism. [Pg.294]

Surrealism 1920 to the Present. Artists who have been involved in the surrealist movement include Salvador Dali, Joan Miro, Rene Magritte, and Max Ernst. Surrealism combines realism, the subconscious, and the dream world. Imaginative objects, the real and unreal, exist in the same picture. This movement was inspired by Sigmund Freud s study of the subconscious. The surrealistic artists are also excellent technicians. A surrealistic painting usually suggests a specific mood (e.g., eerie, sad, playful, mysterious). [Pg.296]

The Persistence of Memory, Salvador Dali, 1931 The Harlequin s Carniual, Joan Miro, 1924-1925 Europe after the Rain, Max Ernst, 1940-1942 The Castle of the Pyrenees, Rene Magritte, 1959 Inventions of the Monsters, Salvador Dali, 1937... [Pg.297]

McNeese, Tim. Salvador Dali. Philadelphia Chelsea House, 2005. [Pg.300]

Artists of the 20th Century Salvador Dali. 50 min. crystalproductions.com, 2004. DVD. [Pg.300]

Cover illustration, created by Peter Zavalij, follows the content of the book. The illustration is inspired by Salvador Dali s painting The Metamorphosis of Narcissus where Narcissus [polycrystalline (Au,Ni)Sn4, courtesy Lubov Zavalij] falls in love with his own reflection (diffraction pattern of LaBg collected on a Bruker Smart Apex CCD), transforms into an egg (reciprocal lattice), and then into a flower (crystal structure of Mn7 x(0H)3(V04)4 in a physical space), which bears his name. [Pg.716]

Consider the similarities and differences between the surrealistic techniques of the American painter Peter Blume and those of Spanish painter Salvador Dali. Illustrate your answer with references to important works of both artists. [Pg.450]

The remarkable achievement of Herbert Roesky s and Klaus Mockel s book is the linkage it achieves between the world of the human spirit, expressed in literature and historical continuity, and the art of chemical demonstration. One expects Goethe to move freely in the pages of Chemical Curiosities , but Whitman, Nietzsche, Thomas Mann, Salvador Dali, Montaigne, and the prophet Jeremiah They serve too, authentically and ingeniously, in the authors deeply humanistic approach to science. The chemical and literary strands of this book are so ably intertwined. [Pg.342]

If you ve made the trip to downtown St. Petersburg to visit the Salvador Dali Museum, be sure to stop in this little diner for a quick bite. The surreal interior is the perfect conclusion to a day spent with Dali. Sketches of James Dean, Marilyn Monroe and Charlie Chaplin purchased from a none-too-talented street artist, black-and-white checkered floors that clash badly with baby blue walls, and a... [Pg.79]

Those who do not want to imitate anything, produce nothing. —Salvador Dali... [Pg.8]


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