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Audio Engineering Society

Reprinted with permission from [Beerends and Stemerdink, 1992], Audio Engineering Society, 1992)... [Pg.21]

Fielder, 1989] Fielder, L. D. (1989). Fluman Auditory Capabilities and Their Consequences for Digital Audio Converter Design. In Pohlmann, K., editor, Audio in Digital Times, pages 45-62. Audio Engineering Society. [Pg.258]

Samson, 1980] Samson, P. R. (1980). A General-Purpose Digital Synthesizer. J. of the Audio Engineering Society, 28(3) 106-113. [Pg.276]

Chowning, 1973] Chowning, J. (1973). The synthesis of complex audio spectra by means of frequency modulation. Journal of the Audio Engineering Society, 21(7) 526-534. (Reprinted in Roads and Strawn, Foundations of Computer Music,... [Pg.539]

James Andy Moorer. The Use of the Phase Vocoder in Computer Music Applications. Journal of the Audio Engineering Society 26 (1/2) 42—45(1978). [Pg.82]

J. Chowning. The Synthesis of Complex Audio Spectra by Means of Frequency Modulation. Journal of the Audio Engineering Society 21(7) 1973. Reprinted in Computer Music Journal 1(2) 1977. Reprinted m Foundations of Computer Music, edited by C. Roads and J. Strawn. Cambridge MIT Press, 1985. [Pg.119]

Perry Cook. Modeling Bid s Gait Anaiysis and Parametric Synthesis of Walking Sounds, Audio Engineering Society 22" International Conference on Virtual, Synthetic and Entertainment Audio (2002). [Pg.200]

J. Borishand J.B. Angell, An Effident Algorithm for Measuring the Impulse Response Using Pseudorandom Noise, Journal of the Audio Engineering Society, vol. 31, no. 7/8, pp. 478 88, 1983. [Pg.122]

Professional Organizations. The more than 14,000 members of the Audio Engineering Society, an international group founded in 1948 in the United States, include recording engineers, broadcast technicians. [Pg.146]

Journal of the Audio Engineering Society. Audio Engineering Society, 60 East 42nd St., New York, NY 10165. Current articles in the audio engineering field. [Pg.30]

Numerous publications are available from the Audio Engineering Society (New York, NY), which serves the professional audio industry. AES also sponsors yearly trade shows and technical seminars that address various areas of audio technology. [Pg.285]

AES3. 1997. Serial Transmission Format for Two-Channel Linearly Represented Digital Audio Data. Audio Engineering Society, New York, N.Y. [Pg.1757]

The Audio Engineering Society (AES) conducts trade shows and highly respected technical seminars... [Pg.2177]

Dan Shanefield, "Audio Equalizers," Stereo Review, May 1976, p. 64. Also, May 1996, p. 112. Dan Shanefield, "The Great Ego Crunchers Equalized Double-Blind Tests," High Fidelity, March 1980, p. 57 (available in most public libraries on microfilm). 2b p Lipshitz, et al., Jml. of Audio Engineering Society, Vol. 29 (1981) p. 482, particularly ref 27 (in university hbraries). Susan Blackmore, "The Meme Machine" (see N. Y. Times Book Review, April 25, 1999, p. 12). [Pg.125]

Chafe, C., and M. Gurevich. 2004. Network Time Delay and Ensemble Accuracy Effects of Latency, Asymmetry. In Proceedings of the 117th Conference of the Audio Engineering Society, San Francisco, California. [Pg.70]

Audio Engineering Society http //www.aes.org (accessed October 12,2010). Founded in 1948, this society consists of those who work with recording and reproducing equipment. [Pg.255]

Kahana, Y., P.A. Nelson, and M. Petyt. 1998. Boundary element simulation of HRTFs and sound fields produced by virtual acoustic imaging. Proceedings of the Audio Engineering Society s 105th Convention. Preprint 4817, unpaginated. [Pg.121]

Pompei, F.J. 1999. The use of airborne ultrasonics for generating audible sound beams. Journal of the Audio Engineering Society 47(9) 726-731. [Pg.121]

Despite its affinity with the digital domain, Walsh synthesis has not been sufficiently studied and composers have rarely used it. There is great potential, however, for an entirely new theory for sound synthesis based on Walsh functions for example, sounds could be analysed using a Walsh-based technique and resynthesised using fast Walsh transform (FWT). Also, modulation involving Walsh functions may be able to produce certain types of waveforms much more efficiently than modulation using sinusoids. A few technical articles about Walsh synthesis can be found in various issues of Journal of the Audio Engineering Society e.g. Hutchins (1973,1975). [Pg.42]

Arfib, D. (1979). Digital synthesis of complex spectra by means of multiphcation of non-linear distorted sound waves. Journal of the Audio Engineering Society, 27, 757-768. [Pg.245]

Hutchins, B. (1975). Application of real-time Hadamard transform network to sound synthesis. Journal of the Audio Engineering Society, 23, 5, 558-562. [Pg.246]

Kaegi, W. and Tempellars, S. (1978). VOSIM - a new sound synthesis system. Journal of the Audio Engineering Society, 26, 6, 418-426. [Pg.247]


See other pages where Audio Engineering Society is mentioned: [Pg.12]    [Pg.271]    [Pg.281]    [Pg.122]    [Pg.148]    [Pg.307]    [Pg.135]    [Pg.643]    [Pg.7]   
See also in sourсe #XX -- [ Pg.146 ]




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