Getty Conservation Institute

D. A. Scott, Metallography and Microstructure of Ancient and Historic Metals, The Getty Conservation Institute, Matina del Rey, Calif., 1991. 

M. E. Elorian, D. P. Kronkright, and R. E. Norton, The Conservation of Artifacts Made from Plant Materials, The Getty Conservation Institute, Marina del Ray, Calif., 1990. 

Glascock, M. D. (1994), New World obsidian recent investigation, in Scott, D. A. and P. Meyers (eds.), Archaeometry of Pre-Columbian Sites and Artifacts, Getty Conservation Institute, Los Angeles, pp. 113-134. 

R.L. Feller, Accelerated Aging, Photochemical and Thermal Aspects, The Getty Conservation Institute, Los Angeles, 1994. 

Derrick MR, Stulik D, Landry MJ (1999) Infrared Spectroscopy in Conservation Science, Getty Conservation Institute, Los Angeles. 

Learner TJS (2005) Analysis of Modem Paints. The Getty Conservation Institute, Marina del Rey. 

Johnston-Feller, R. Color Science in Examination of Museum Objects Nondestructive Procedures, The Getty Conservation Institute Marina del Rey, 2001 p 207. 

Prepr. ICOM Comm. Conserv. 8th Triennial Meet.. Grimstad, K., Ed. The Getty Conservation Institute Los Angeles, CA, 1987 pp. 339-44. 

BASF AkticngeseUschaft, 188 Carnegie-Mellon University, 54 Clemson University, 13 Getty Conservation Institute, 108 Library of Congress, 63 Metropolitan Museum of Art, 134 North Carolina State University, 94 Textile Museum, 168 The British Library, 34... 

D.A. Scott, J. Podany and B.B. Considine, Ancient and Historic Metals Conservation and Scientific Research, Getty Conservation Institute, Singapore, 1994. 

Grattan, D. W. McCawley, J. C. Cook, C. Stud. Conserv. 1980, 25, 118-136. Bergeron, A. Preprints, ICOM Committee for Conservation, 85th Triennial meeting, Sydney, Australia, Sept. 1987 Getty Conservation Institute Los Angeles, 1987 pp 297-300. 

Weintraub, S. Getty Conservation Institute and University of Delaware Conservation Training Program, 1987. 

Hummelen, Y. (1999). The Conservation of Contemporary Art New Methods and Strategies In Postprints of Mortality Immortality The legacy of 201 -century art Los Angeles 25-27 March 1998 (M. A. Corzo, ed.) pp. 171-174, Getty Conservation Institute. 

Selwitz, C. (1988). Cellulose Nitrate in Conservation. The Getty Conservation Institute. 

Figure 8.18 Infrared spectrum of indigo [24]. Reproduced from Derrick, M. R., Stulik, D. and Landry, 1. M., Infrared Spectroscopy in Conservation Science, p. 197, 1999, by permission of the Getty Conservation Institute. The J. Paul Getty Trust, [1999], All rights reserved.

Striegel MF and Hill J (1994) Methods in Scientific Examination of Works of Art, Volume 1, Thin-Layer Chromatography Course Book. California The Getty Conservation Institute. 

Preusser, F. The Conservation of wall paintings Gather, S. Ed. Getty Conservation Institute, 1991 pp 1-12. 

Price, C. A. (1995). Stone conservation An overview of current research. Getty Conservation Institute. 

Reedy, T. J., Reedy, C. L. (1992). Principles of experimental design for art conservation research. Getty Conservation Institute. 

Wheeler, G. (2005). AUcoxysilanes and the conservation of stone. Getty Conservation Institute. 

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