Color harmony

Success is total assembly color harmony with no color mismatches and continuous, consistent color from front to back, side to side, from top to bottom and from body to parts. 

NOTE 1 For definition of colors use a standard reference such as Munsel, Color-harmony or Ridgeway standards. ]... 

Color harmony manual n. Orderly array of colors spaced (approximately) according to the Ostwald color system, and made by the container corporation of America. Several editions were issued, each slightly different. It is no longer available. 

Ostwald color system n. System of classifying and designating colors in terms of their full color content, their white content, and then-black content. The system was devised by Wilhelm Ostwald, based on additive color mixture, by means of spinning a Maxwell Disc and was used as the basic principle in making the color harmony manual. 

Triad tri- ad also -ad [E triad-, trias, fr. Gk, ff. treis three] (1546) n. Group of three colors harmoniously related to each other. 

Particularly more and more color harmony is required between the car body and the plastic parts. This can be very challenging because most off-line apphcation methods are not at all similar to that of the car-body paint hues. In an attempt to improve this color harmony, conveyor systems have been built to hang and carry the plastic parts in car-body position through the plastic paint hne. Also the application concept with the typical electrostatic atomizer is in use, similar to that used with the car body. Examples of robot types used in Europe are ABB and Fanuc. 

Pleasing designs can be achieved by combining different materials, such as quarry tiles, bricks, and bottle ends. If the area is to appear in harmony with its surroundings, some aspect of it, such as a color or matching brick, should relate to the nearby buildings. If a combination of materials is being used, a repeated sequence of materials will make the area look well-planned. This can also be... 

While most of these treatments are on a very shaky scientific footing, desperate people still try them. History has shown that when scientific medicine leaves a vacuum, a host of alternative practitioners will rush in to fill it. These people claim to have the answers that have somehow eluded mainstream researchers. Such as the benefits of the Harmony Token, a colored disk you wear around your neck its manufacturer claims that it resupplies minerals, vitamins, and amino acids with the color that has been stripped away by exposure to electromagnetic radiation. Our bodies, apparently, do not recognize these colorless substances and, as a consequence, our immune systems are weakened. The Harmony Token utilizes 2,800 colors to rebuild and repair the body at the cellular level and allows victims of rheumatoid arthritis to resume normal lives. Testimonials proclaim the disk s astonishing powers it improves gas mileage and reduces car emissions it makes racehorses run faster it cures migraines. It also makes me wonder about people s sanity. 

Anthroposophists also take a unique approach to medicine. The body, they say, has three poles — cool, warm, and balancing. Illness arises from a disharmony of these poles, and we can restore the harmony with a variety of animal, mineral, and plant substances. We must take the time of day and planet constellations into consideration as we prepare these remedies, and we must never work on them between noon and three o clock in the afternoon because this is the least alive time of day. Anthroposophists frown upon vaccinations, but they approve of color therapy and a mistletoe preparation invented by Steiner. Sauerkraut they regard as a special food we require it for the health of our digestive tracts. 

The quality of experience changed, once we began moving, from being primarily explorations of inner events, with almost no environmental stimulus, to the experiencing of the external world colored by "inner" emotions and experiences. Internal and external realities coexisted, alternating somehow in a pleasing and harmonious way. As for my "objectivity"... 

Finally, the composition should possess unity and harmony if all the elements of design—line, texture, light-and-dark contrast, shape, and color—fit together successfully. Regarding art, unity does not necessarily mean sameness. Therefore, within unity variety of size, shape, and color are important to a successful composition. The puzzle is then complete ... 

Color and Constitution of Phenolphthalein.—We have used phenolphthalein as an example of the pMhalein dyes in order to show their relation as tri-phenyl methane derivatives. When, however, we attempt to establish a consitution for phenolphthalein which will explain its character as a dye, in harmony with the structure of related compounds, e.g.j fluorescein and other pyronine dyesj we meet with considerable trouble and it may be said that the question is one that does not seem to be cleared up. Strictly speaking phenolphthalein is not a dye. Its well known use as an indicator is associated with the following facts, (i) In neidral or acid solution it is colorless. (2) In weak alkaline solution it is red. (3) In strong alkaline solution it is again colorless. (4) On neutralizing the excess alkali of (3) with acetic acid and boiling, the red color is restored and phenolphthalein is precipitated. 

Figure 2, continued, artistic translation of sequence into colour, sequence visualization according to the "iCene-Visions PerZan" colour system (http //www.perzan.de). Each codon is translated into a defined RCB-value. To increase visual harmony in the two images, the width of each bar is coupled to the lightness of its color, the lighter the color, the wider the bar. 

Without a doubt, crystals such as diamonds, emeralds and rubies, whose beauty has been exposed by jewelry-makers for centuries, are enjoyable for everybody through their perfect shapes and astonishing range of colors. Far fewer people take pleasure in the internal harmony - atomic structure -which defines shape and other properties of crystals but remains invisible to the naked eye. Ordered atomic structures are present in a variety of common materials, e.g. metals, sand, rocks or ice, in addition to the easily recognizable precious stones. The former usually consist of many tiny crystals and therefore, are called polycrystals, for example metals and ice, or powders, such as sand and snow. Besides external shapes and internal structures, the beauty of crystals can be appreciated from an infinite number of distinct diffraction patterns they form upon interaction with certain types of waves, e.g. x-rays. Similarly, the beauty of the sea is largely defined by a continuously changing but distinctive patterns formed by waves on the water s surface. 

With the fragmentation of the object and the proper coloring of geometri-cized shapes, hitherto unseen rhythmic compositions were created, capable of exciting millions of cortical neurons in the brain of the initiated viewer inseparable from feelings of harmony and satisfaction similar to those elicited by music. The final step of course was the complete omission of objects and the deconstruction of compositions that act only by the power of colors, as music does with sounds. 

---