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Square-wave amplitude instrumentation

The one-drop square wave analyser designed by Osteryoung and co-workers [66,67] filled the gap the specific commercial Instrumentation Isft In this voltammetrlc mode. The Instrument, depicted In Fig. 11.13, has the following features a symmetrical square wave with a period of 1/60 s and a fixed-wave peak-to-peak amplitude of 50 mV, providing a reasonable compromise between resolution and sensitivity. The remainder of the experimental parameters (e.g. the step height, Initial potential and delay time) are selected by the oper-... [Pg.335]

Alternative modulation functions and data analysis procedures have been applied in MTDSC. Different instrument manufacturers have applied square wave or saw-tooth modulation, coupled with Fourier transform analysis methodologies. Alternative modulation functions provide some additional advant ages - for example, a square wave function ensures that a steady state is achieved over an isothermal plateau since the signal during such a period is the nonreversing contribution. The amplitude provides a measure of the reversing signal. However, there are... [Pg.4758]

Differential pulse voltammetry (DPV) is essentially an instrumental manipulation of chronoamperometry. It provides very high sensitivity because charging current is almost wholly eliminated. More important for CNS applications, it often helps to resolve oxidations which overlap in potential. The method combines linear potential sweep and square-wave techniques. The applied signal is shown in Fig. 16A and consists of short-duration square-wave pulses (<100 msec) with constant amplitude (typically 20 or 50 mV) and fixed repetition interval, superimposed on a slow linear potential scan. The Fapp waveform can be generated with a laboratory-built potentiostat, but most DPV work is done with a commercial pulse polarograph (see Appendix). The inset of Fig. 16A shows an enlargement of one pulse. The current is measured just before the pulse... [Pg.46]

As a metaphor to understand the fundamentals of waveshaping synthesis, imagine a note played on an electric stringed instrument connected to a vacuum-tube amplifier. If the volume knob of the amplifier is increased to its maximum, the vacuum-tubes will be saturated and the sound will clip and if the amplitude of the note is increased at its origin, before entering the amplifier, then the output will clip even more. If the note is a sinusoid, the louder the input, the more squared the output wave will be. If the note has a complex spectrum, then the output will be a signal blurred by distortion. [Pg.38]


See other pages where Square-wave amplitude instrumentation is mentioned: [Pg.121]    [Pg.111]    [Pg.1]    [Pg.158]    [Pg.723]    [Pg.66]    [Pg.93]    [Pg.380]    [Pg.702]    [Pg.385]    [Pg.44]    [Pg.380]    [Pg.209]    [Pg.1]    [Pg.1574]    [Pg.156]    [Pg.283]    [Pg.1574]   
See also in sourсe #XX -- [ Pg.10 ]

See also in sourсe #XX -- [ Pg.10 ]




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Square-wave amplitude

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