Poetics

Philalethes, Eirenaeus. Ripley reviv d or An exposition upon Sir George Ripley s hermetico-poetical works. Containing the plainest and most excellent discoveries of the most hidden secrets of the ancient philosophers, that were ever yet published, written by... 

Philalethes, Eirenaeus. Ripley reviv d or, an exposition upon Sir George Ripley s Hermetico poetical works. Containing the plainest and most excellent discoveries of the most hidden secrets of the ancient philosophers, that were ever published. Written by Eirenaeus Philalethes an Englishman, stiling himself Citizen of the world. London Printed by Tho. Ratcliff and Nat. Thompson, for William Cooper at the Pelican in Little-Britain, 1678. [12], 47, [1], 389, [3], 10, 28, [1], [2], 25, [6] p. 

Andreae, Johann Valentin. The Chymical wedding of Christian Rosencreutz a modern poetic version by Jon Valentine with imaginations by Arne Salomonsen. Spring Valley St George Publications. 132p. 

Heninger, S.K. Touches of sweet harmony Pythagorean cosmology and Renaissance poetics. San Marino (CA) Huntington Library, 1974. xvii, 446 p... 

There is a longstanding tradition of using alchemical imagery in poetry. It first flourished at the end of the sixteenth century, when the status of alchemy itself was revitalised in European society. Here I explain the reasons for this resurgence of the Hermetic arts, and explore how it was manifested in English culture and in particular in the literary and poetic works of the time"... 

Fisher, Sheila. "Chaucer s poetic alchemy a study of value and its transformation in The Canterbury tales." PhD thesis, Yale University, Department of English Language and Literature, 1982. 

Douglas, Gavin.The poetical works of Gavin Douglas. Edited by John Small. Edited by John Small. Edinburgh William Paterson, 1874. 4 vols... 

Chou, Shu-Hua. "Alchemical explication of three Renaissance poetic texts Edmund Spenser s The Faerie Queene Book I Sir Walter Raleigh s The ocean to Scinthia and Michael Drayton s Endimion and Phoebe." PhD thesis, Univ of Manchester, 1996. 

Sadler, Lynn Veach. Relations between alchemy and poetics in the renaissance and seventeenth century, with special glances at Donne and Milton. Ambix 24, no. 2 (Jul 1977) 67-76. 

The author demonstrates the insinuation of alchemy into poetic theory and poetic technique by citing the use of alchemical analogies and doctrine in treatises on poetry and by surveying alchemical techniques in Donne s "The triple foole" and Milton s "Samson agonistes"... 

Crawshaw, Eluned. "Hermetic elements in Donne s poetic vision." In John Donne essays in celebration, ed. Albert James Smith, 324-348. London Methuen, 1972. 

Gross, Kenneth. Spenserian poetics idolatry, iconoclasm and magic. Ithaca (NY) Cornell UnivP, 1985. ISBN 0801418054... 

Spenser, Edmund.The poetical works of Edmund Spenser. Edited by J.C. Smith and E. de Selincourt. Edited by J.C. Smith and E. de Selincourt. Oxford OUP, 1950. 

Clucas, Stephen. Poetic atomism in seventeenth-century England Henry More, Thomas Traherne and "scientific imagination". Renaissance Studs 5 (1991) 327-340. 

Herrick, Robert.The poetical works of Robert Herrick edited by L.C. Martin. Edited by L.C. Martin. Oxford Clarendon P, 1956. xl, 631 p. 

Skea, Ann. Ted Hughes the poetic quest. Armidale Univ of New England P,... 

Clark, Susan L. and Julian N. Wasserman. The poetics of conversion number symbolism and alchemy in Gottfried s Tristan. Utah studies in literature and linguistics, no. 7. Bern, Las Vegas (NV) Peter Lang, 1977. 

Bornstein, Lynne. "The poetics of revolution and alchemy transgression and transmutation in Rimbaud, Cesaire and Glissant." PhD thesis, Yale Univ, 2001. 

Larrington C (translator) (1999) The Poetic Edda. Oxford University Press... 

Dyes were the basis of American I. G. Chemical s entire business, just as dyes were the financial and scientific wellspring of all the Farben companies. Yet in a brief memo Farben s president let the American I. G. go. This poetic magnanimity — unless it concealed a desperate gamble of some kind — was more typical of an artist-scientist than of a financial wizard. One might not have been surprised at a show of generosity from, say, the Farben director who founded the photo-chemistry whose cameras were sold around the world under the Agfa-Ansco trademark. He had helped to develop color photography, too. At the trial, he testified ... 

The properties characteristic to fractal objects were mentioned first by Leonardo da Vinci, but the term fractal dimension appeared in 1919 in a publication by Felix Hausdorff [197], a more poetic description of fractals was given by Lewis Richardson in 1922 [198] (cited by [199]), but the systematic study was performed by Benoit B. Mandelbrot [196], Mandelbrot transformed pathological monsters by Hausdorff into the scientific instrument, which is widely used in materials science and engineering [200-202]. Geometrical self-similarity means, for example, that it is not possible to discriminate between two photographs of the same object taken with two very different scales. 

When, in the preliminary exercises preceding the actual practice, practitioners build up the Tree of Life in their aura, the paths are formulated as a consequence, since they are subjective reactions to the objective power of the Sephiroth. The Fountain Breath exercise then unifies the influences of all the Paths and the Sephiroth. This happens because there is only One Power that flows through all the paths and manifests in a ten-fold aspect as the Sephiroth, the outpouring of the Most Holy One that is Mezla, grace, by which the worlds are nourished and sustained. For grace is not some abstract poetic metaphor, but an actual etheric, astral, and spiritual substance. Alchemy names it the water that burns and the fire that flows. It is the First Matter. 

Rewarded, Crimes Against the Language Are Punished, and Poetic Justice is Done (New York Harcourt, 2000). 

Oliver Wendell Holmes, At the Pantomime [1874], in The Poetical Works... 

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