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Multicolor mode

The normal drawing mode lets you set or clear points, but in only one color. If you re willing to give up half as many horizontal points, you can have four colors to work with. Multicolor mode lets any square be one of four colors, but gives you only 12 pixels across instead of 24. This is because two... [Pg.183]

If you changed colors in the multicolor mode, some of the colors in the normal mode may have been changed. You can alter these colors as in multicolor mode. Press SHIFT-1 to change the color of the empty pixels, and SHIFT-2 to change the color of the on pixels. (You ll be prompted to press a color number key after each SHIFT-1 or SHIFT-2 combination. Remember to press either CONTROL or the Commodore key simultaneously with the color key.)... [Pg.185]

Select drawing color for multicolor mode Change a drawing color... [Pg.188]

You re not finished yet. There s yet another mode of operation within Ultrafont +, the multicolor mode. In multicolor mode, any character can contain up to four colors (one has to be used for the background) simultaneously. Multicolor changes the way the computer interprets character patterns. Instead of a one bit representing a solid pixel and a zero representing a blank, the eight bits are organized as four pairs of bits. Each pair can represent four possibilities 00, 01, 10, and 11. Each pair is also a number in decimal from 0 to 3, and represents one of the four colors. [Pg.204]

Some of the commands in the multicolor mode aren t as useful as others. You have to press fl and f2 twice to shift a character, since they only shift one bit, which causes all the colors to change. You can use CONTROL-R or CONTROL-9 (Reverse) to reverse all the colors (color 1 becomes color 4, color 2 becomes color 3, color 3 becomes color 2, and color 4 becomes color 1). R (Rotate) changes all the colors and is rather useless unless you press it twice to just turn the characters upside down. M (Mirror), works as it did before except that colors 2 and 3 are switched. And you can still copy characters using f7 and f8 (see above). [Pg.205]

Multicolored luminescence is the most attractive property of rare earth-based compounds. Lanthanide ions possess many sharp emission lines that cover the visible and near infrared (NIR) region due fo fhe abundanf fransifions of f-orbital configurations. However, the forbidden f-f fransi-fions induce narrow excitation lines for mosf rare earfh ions. This low absorbency cross-section is the bottleneck in practical application, so host-sensitized emission mode is commonly employed by rare earth phosphors. The vanadate matrix is one of fhe candidafes, which excifes lanthanide ions via charge-transfer energy migration. [Pg.367]

If you want to go back to normal mode, press the f6 key (SHIFT-f5). There s nothing to prevent you from designing both normal and multicolor sprites on different pages. [Pg.185]

You can switch instantly back to the normal character mode by pressing f6. If you were drawing in multicolor, you can see the bit patterns that make up each color. Multicolor characters look just as strange in normal mode as normal characters look in multicolor. [Pg.205]

Continuous mode ink-jet systems are widely used in industrial market, mainly for product labeling of food and medicines. They have high throughput capabiUties, especially array continuous mode systems, and are best suited for high duty cycle applications. Few continuous ink-jet systems are multicolor (multifluid) but two-color systems are in use. [Pg.208]

For living-cell microscopy, multilabeling acquisition is constrained by the fact that objects are likely to move during the collection of stacks. Multicolor images must therefore be acquired as rapidly as possible, and the sequential stack-color mode described above is inappropriate. There is a single solution to this problem using a multiband pass dichroic mirror and dissociating... [Pg.218]

Evidently, multi-color capability is a major feature of interest in electrochromic CPs. This can sometimes be achieved by combining several different CPs in bilayers or multilayers. For example, Yamasaki et al. [29] described an electrochromic system comprising poly(p-phenylene-terephthalamide) + poly(o-phenylene diamine) which showed multicolor capability encompassing a good representation of the Visible spectrum orange (-0.4 V), green (+0.4 V) and violet (+1.2 V) (all in two-electrode mode). [Pg.53]


See other pages where Multicolor mode is mentioned: [Pg.179]    [Pg.184]    [Pg.185]    [Pg.188]    [Pg.179]    [Pg.184]    [Pg.185]    [Pg.188]    [Pg.536]    [Pg.143]    [Pg.143]    [Pg.144]    [Pg.93]    [Pg.146]    [Pg.9]    [Pg.207]    [Pg.539]    [Pg.524]    [Pg.644]    [Pg.210]    [Pg.132]    [Pg.218]    [Pg.219]    [Pg.221]    [Pg.852]    [Pg.578]    [Pg.151]   


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