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Lean, David

Kuhn, Annette, 473 Lean, David R. S., 391 Leenheer, J. A., 195 Minear, Roger A., 161 Moore, Johnnie N., 451 Nanny, Mark A., 161 Peiffer, Stefan, 371 Rapaport, Robert A., 527 Sampson, Carolyn J., 121 Scully, Frank E, Jr., 391 Shafer, Martin M., 285 Shao, Chihwen, 391 Sigg, Laura, 473 Skoglund, Robert S., 559 Smol, John P., 3 Stoddard, John L., 223 Swackhamer, Deborah L., 559 Swain, Edward B., 33 Tisue, Thomas, 499 Urban, N. R., 323 Versteeg, Donald J., 527 Weeg, Els, 527 Weir, Edward P., 121... [Pg.592]

When David returned, Nick had relaxed somewhat, leaning back in the chair. David poured the drink and raised his glass. [Pg.81]

David put down his glass and leaned back, wondering what he was getting into. [Pg.82]

When I opened ny eyes a in Herny was leaning for support agpinst the wall in fi ort ofme, dishevelled and sweating Please, David. He sounded genuine pained. W)u re onfy making this harder for both ofus. ... [Pg.97]

Oh, God, David, I didrit mean to do that, Henry said. He took out a handkerchief be n to dab at rry forehead. The cbth came away glistening dark. Henry stared at it, then leaned against the doorframe and covered his eyes. Christ, what a bloody mess. ... [Pg.101]

X had put the board spread with about six square inches by one eigth of am inch of nitrogen tri-oxide about the middle of the table, Barry, one of the exu-tivesi was leaning against the table with his left ear about two feet from the nitrogen tri-iodide, I didn t notice he was bo close because I was preoccupied When 1 did the on-camera performance I had intended to have David stand at least three feet back. [Pg.12]

This same pattern shapes David Lean s Dr. Zhivago. The plot is the Russian Revolution of 1917 and how its success was the ruination of the individual and of the family unit. The melodramatic layer of the film centers around Yuri Zhivago s relationships the Revolution always undermines the only thing he truly values, love—embodied in an intimate relationship first with his wife, then with Lara. In the end the personal losses and sacrifices are so great that Yuri is literally heartsick. Does he die of a heart attack or of a broken heart Choose whichever interpretation you wish. The key issue here is that melodrama is the fundamental layer in biographical, sports, war, gangster, and epic films. [Pg.157]

Nelson J. 0 Driscoll Andrew Rencz, and David R. S. Lean ... [Pg.221]

David R. S. Lean Biology Department, Faculty of Science, University of Ottawa, P. O. Box 450, Stn. A., Ottawa, Ontario, KIN 6N5, Canada (221)... [Pg.286]

Sean Connery did not eome from the same stable of British actors who would later become international film stars from the late 1950 s and the 1960 s, such as Albert Finney, Peter O Toole, Alan Bates and Tom Courtney. They came from a British Theatre wMeh had eertainly gone tMough a renaissance with the Angiy Young Man plays, particularly those staged at the Royal Court Theatre. Eaeh of these actors would become headline actors in international films fiom the early sixties onwards, whether in David Lean s epic pictures such as Lawrence of Arabia and Dr. ZMvago or in transatlantic successes such as Far From the Madding Crowd or Tom Jones. None of these actors, however, were ever really... [Pg.360]

Almost all leaders today, whether in politics, business or elsewhere, lean on image-based words and brief story-telling to motivate audiences. Link to at htq> //www. osha.gov/ to see how OSHA leaders. Dr. David Michaels, head of OSHA, and his assistant, Jordan Barab, apply these communication skills. Here is an example from a recent speech ... [Pg.20]


See other pages where Lean, David is mentioned: [Pg.34]    [Pg.100]    [Pg.101]    [Pg.101]    [Pg.475]    [Pg.157]    [Pg.106]    [Pg.273]    [Pg.273]    [Pg.234]    [Pg.120]    [Pg.537]    [Pg.162]   
See also in sourсe #XX -- [ Pg.157 ]




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