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Upright arrangement

Continuous still systems typically have an upright arrangement that takes up less space than the conventional stiU set-up and a collecting essel that is positioned between the still-pot and the condenser. The apparatus is... [Pg.66]

As evident from Fig. 3.1, continuous still systems essentially comprise of an upright arrangement which obviously takes up much less space as compared to the conventional-horizontal still set-up and a solvent-collector (collecting vessel) that is positioned strategically between the still-pot and the condenser. [Pg.46]

An analysis of the surfactant tilt angles revealed that no significant difference appears between the molecular orientations of the hydrophobic C12 chain at the air/water and the oil/water interface. This result is in discrepancy with experimental investigations of the interaction of C12E5 and dodecane. Neutron reflection measurements suggest an more upright arrangement of the C12 chains if dodecane penetrates into the C12 layer. [Pg.544]

The Me groups in [Co3(CO)9(CCHPr )] are diastereotopic and aniso-chronous at -60°C which confirms a tilted rather than upright arrangement of the ligand 51 is a simple representation. The Me groups exchange (AG ... [Pg.347]

TIRF is easy to set up on a conventional upright or inverted microscope with a laser light source or, in a special configuration, with a conventional arc source. TIRF is completely compatible with standard epi-fluorescence, bright-field, dark-field, or phase contrast illumination so that these methods of illumination can be switched back and forth readily. Some practical optical arrangements for observing TIRF through a microscope are described in Section 7.4. [Pg.290]

Fig. 10.14 a) SEM of three smetic domains I, II and III of p-FeOOH crystals. In domain I the crystals stand upright so that only the ends are visible, A/hereas in domains II and III, only the sides of the crystals are visible, b) SEM of domain I. c) Schematic figure of the arrangement of crystals in the three domains (Reprinted from Maeda Maeda, copyright 1996, A/ith permission and Courtesy, H. Maeda). [Pg.251]

The two principal elements [are] 1. Bride 2. Bachelors. Graphic arrangement a long canvas, upright. Bride above bachelors below. The bachelors serve as an architectonic base for the Bride the latter becomes a sort of apotheosis of virginity. [Pg.185]


See other pages where Upright arrangement is mentioned: [Pg.337]    [Pg.4]    [Pg.14]    [Pg.799]    [Pg.17]    [Pg.568]    [Pg.259]    [Pg.316]    [Pg.141]    [Pg.165]    [Pg.198]    [Pg.50]    [Pg.47]    [Pg.52]    [Pg.96]    [Pg.464]    [Pg.481]    [Pg.526]    [Pg.607]    [Pg.609]    [Pg.652]    [Pg.754]    [Pg.830]    [Pg.957]    [Pg.1196]    [Pg.23]    [Pg.80]    [Pg.69]    [Pg.1104]    [Pg.556]    [Pg.337]    [Pg.73]    [Pg.416]    [Pg.50]    [Pg.116]    [Pg.301]    [Pg.29]    [Pg.71]    [Pg.79]    [Pg.38]    [Pg.68]    [Pg.81]    [Pg.8]   
See also in sourсe #XX -- [ Pg.46 ]




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