Turned Kiss

Kiss-Roll Colters. In kiss-roU coating, the web passes over a roU wet with the coating fluid, and has no backing roU. There are many types of kiss-roU coaters. The kiss roU can turn in the dkection of the web or in the reverse dkection but usually operates in the web dkection. Kiss-roU coaters are tension sensitive and are often used to apply excess coating prior to a metering device. 

One final thought on the matter of cane toads could the presence of a mind-altering substance in their skin have given rise to all those children s stories about the girl who kisses a toad and turns him into a prince Perhaps. Who knows what you re going to see after you kiss one of those hallucinogenic warty-skinned amphibians. 

Dona almost patted his head. This charade is an imposition, citizen, and your cooperation is appreciated. But then the old man turned cynical eyes on me as I bent to kiss his sleeve. And you must be the philosopher s apprentice. ... 

Trix kept quiet and hoped it would go away, as Aphrodite exchanged kisses and farewells with her mother and father. She swallowed as Aphrodite quietly accepted the locket from Dusha. She blanched as Aphrodite turned and presented it to her. 

Billy turned onto her back and laughed. She laughed at traffic, slapped her. traffic kissed her on the lips. 

I turned my head aside, and he suddenly kissed me softly on the nose. Now, don t be peevish, Em. I ve brought you a present. He kissed me again and again on the cheeks and lips and eyes until I began to kiss him back. Come on, my dearest girl, come and see what I ve brought you. ... 

The tropics furnish homes for many types of insects, one of the more interesting of which is euphemistically known as the kissing bug. This bug crawls out of the crevices where it lives so that it can bite humans and suck their blood much like a mosquito. Despite this irritating behavior the bug has redeeming value because of the fascinating chemical tricks it performs. For one thing, as it feeds, it releases its saliva into its victim. The saliva in turn delivers a dose of NO, a molecule that... 

Once a normal aldol product is formed, dehydration gives a conjugated system which has great stability. The aldol product C cannot dehydrate because no a-hydrogen remains. Some C will form, but eventually the reverse-aldol process will return C to starting materials which, in turn, will react at the other a-carbon to produce the conjugated system. (This reason is the Kiss of Death for C.)... 

FRANCOISE, in her early 40s, says goodbye to a man with a soft kiss. The man turns and leaves as Francoise watches him go she hears the commotion unfolding at the other end of the platform. She watches as Joseph nearly stops the kids. 

In the context of plankton dynamics an interesting development that has some common ideas with the KiSS approach but introduces a new and important element is described in Martin (2000). The idea is that dispersion of a patch is not only controlled by eddy diffusivity, but also by the geometric characteristics of the mean flow. It turns out that if an incompressible fluid flow induces dispersion in one direction it necessarily produces convergence in another, to conserve the fluid volume. This was already exploited in Sect. 2.7.1, and includes the ingredient of advection, in addition to the reaction-diffusion processes which are the subject of this Chapter. Nevertheless, since this case can be analyzed easily and extends the KiSS model, we consider it here. 

This scene, like the play at large, turns on a curious ambiguity as to the nature of the transformation brought about by paint and the kiss. According to the Tyrant, the combination of color and embrace should serve to bring the Lady back to life the first inspires him to proclaim that she lives again , but for added measure he promises, Our arms and lips I Shall labour life into her. In fact, however, not only does art fail to animate the Lady, but direct contact with it proves fatal to its consumer. By kissing the Lady s corpse, the Tyrant directly absorbs the poisonous nature of the lifeless painted idol he has created. 

With the dark symmetry characteristic of revenge tragedy, the remains of the poisoned Gloriana—and, symbolically, of all of the victims of the Duke s lust—become transformed into a weapon against her poisoner. Her kiss reflects back to the Duke the figurative poisons of his own palsy-lust (Li.34), fused with the literal poisons with which he killed Gloriana. As the pivot on which this mimetic act of revenge turns, the skeleton s embrace comes to embody the seductive but poisonous theatricality that pervades the play. 

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