Romantic styles

Name-calling) Suggest names for the four romantic styles, determined by the signs of a and b in R = aR -i- bJ. 

The Papal Bulls alluded to by Wren are unknown and quite probably just part of the extensive folklore of the Magistri Comacini. They were active in Ravenna and Venice, although these cities show little evidence of the Romantic style. Ravenna is primarily Byzantine and Venice is Arabic without a single Romantic building. 

Pesticide use was not Carson s chosen topic. She preferred to author works that simply fostered a deeper appreciation of nature. A shy and soft-spoken woman, Carson wrote with an Albert Schweitzer-like reverence for life. All was sacred to her. Her style was lyrical, vivid, and romantic, falling mostly within the nature-writing tradition. She gave her creatures anthropomorphic characteristics, set them in dramatic situations, hoping, she said, to make animals in the woods or waters, where they live, as alive to others as they are to me. ... 

Principe, Lawrence M. Virtuous romance and romantic virtuoso the shaping of Robert Boyle s literary style. JHist Ideas 56 (1995) 377-397. 

Her clothes and hair styling were wrong and I could not read her signals. It was unheard of for a lady of the Republic to entertain a man in her husband s absence and the absence of servants made the unspeakable unthinkable. Romantic near-darkness would normally turn hint into blatant invitation. 

The arrangement of the song seemed to be an attenqjt to meld the big band style of the first films with the rock n roll themes ftom the previous Live and Let Die. It didn t help that TMwtGG was considered one of the weaker entries in the Bond series. When the next Bond movie, The Spy Who Loved Me, appeared three years later, it would be helped along by a more 1970 s style romantic tune. 

Michael Hunter, How Boyle Became a Scientist, History of Science 33 (1995) 59-103 Lawrence M. Principe, Style and Thought of the Early Boyle Discovery of the 1648 Manuscript of Seraphic Lovef IsisS (1994) 247-260 Principe, T irtuous Romance and Romantic Virtuoso The Shaping of Robert Boyle s Literary Stylef Journal of the History of Ideas 56 (1995) 377-397 Principe, Newly Discovered Boyle Documents in the Royal Society Archive, Notes and Records of the Royal Society 49 (1995) 57-70. 

Or that the author relates in a free and jovial style certain passionate adventures, fabricated as to the substance, or at least as to the detail and circumstance and that he introduces into his narrative many amorous incidents, which he embellishes with every possible relish in order to make them entertaining, and thus more suitable for nurturing the yearning for romantic intrigue than for any other purpose. 

---