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Libeskind, Daniel

Libeskind, D. (2011). Ground zero master plan New York, NY. Studio Daniel Libeskind (daniel-libeskind.com). Available from http //daniel-libeskind.com/ projects/ground-zero-master-plan... [Pg.95]

Swanson, C. (2011). Libeskind, Daniel The lessons of the master planner. New York Magazine, August 27. Available from http //www.nymag.com/news/9-11/10th-anniversary / daniel-hbeskind /... [Pg.96]

Figure 4.18 The Jewish Museum Berlin, to the left of the old Kollegienhaus. Designed by Daniel Libeskind—Copyright (c) 2008 Daniel Libeskind and licensed for reuse under the Creative Commons Attribution-ShareAlike License... Figure 4.18 The Jewish Museum Berlin, to the left of the old Kollegienhaus. Designed by Daniel Libeskind—Copyright (c) 2008 Daniel Libeskind and licensed for reuse under the Creative Commons Attribution-ShareAlike License...
Because of his own personal background and experience, Daniel Libeskind knew that the architecture must first connect the place to its history and then take visitors from the past to the present and propel them to the future, experiencing a sense of alienation ... [Pg.87]

At this museum, Daniel Libeskind believes history and architecture are joined, for this place thematizes and integrates, for the first time in post-war Germany, the history of the Jews in Germany, the repercussions of the Holocaust and spiritual displacement. It is also just a museum with exhibits on the wall (Mueller-Kroll, 2011). [Pg.87]

The Wedge of Light piazza and the Park of Heroes open spaces were significant places in Daniel Libeskind s plan (Lower Manhattan Development Corporation, 2003). [Pg.90]

In architecture, site and design are inseparably linked to produce a structure that focuses on the lamps of truth, power, beauty, life, and memory, as delineated by John Ruskin. These ideals have in some profound ways become the palimpsest for contemporary architects, such as Peter Eisenman and Daniel Libeskind, demonstrating that any site contains not only presences, but the memory of previous presences and the immanences of a possible presence (Eisenman, 2004, p. 207). In these structures built to commemorate the Holocaust and the tragedy of 9-11, history haunts the visitors the past informs the present that prepares the participants for the future. [Pg.91]

Davidson, J. (2007). The liberation of Daniel Libeskind. New York Magazine, September 30, 56 64. Available from http //nymag.com/arts/architecture/features/... [Pg.94]

Earle, M. (2012). Daniel Libeskind The architecture of palimpsest. Think Design Magazine. Available from http //thinkdesignmagazine.com/index.php/ architecture/daniel-libeskind... [Pg.94]

Needham, P. (2011). Daniel Libeskind The return of ground zero s master planner. Hujfington Post. Available from http //www.huflingtonpost.com/2011/09/09/ daniel-libeskind-ground-zero n 954949.html... [Pg.96]

Nessen, S. (2011). Q A Interview with World Trade Center site architect Daniel Libeskind. Available from http //www.wnyc.org/articles/wnyc-news/2011 / sep/07/interview-master-architect-world-trade-center-site-daniel-libeskind/... [Pg.96]


See other pages where Libeskind, Daniel is mentioned: [Pg.946]    [Pg.66]    [Pg.86]    [Pg.86]    [Pg.87]    [Pg.87]    [Pg.89]    [Pg.91]    [Pg.93]   
See also in sourсe #XX -- [ Pg.86 , Pg.87 , Pg.88 , Pg.89 , Pg.90 ]




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