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Gold toning formulas

There are three ways to achieve cold tones. The first is through direct development of bromide paper. The second is through the gold-toning of a warm-tone chlorobromide paper. The third method is immersion in a blue-toning bath (Formulas Toners, Ansco 241 Iron Blue Toner). [Pg.81]

The 6-T system consists of three separate bleaches, three separate toners, a sodium chloride solution, plus a gold-tone modifier. By mixing and matching the various bleaches and toners, and throwing in the chloride bath and/or the modifier, a large variety of tones can be achieved from purplish-brown to a bright sunlit sepia. This system works best with old-style soft emulsion papers. (Formulas Toners DuPont 6-TToning System)... [Pg.116]

Gold-Bicarbonate Toning Formula for Albumen, Salt, and Collodion Paper... [Pg.152]

The classic formula for gold protective toning is Kodak GP-1 Gold Protective Solution. Like selenium toner, GP-1 not only protects the print but causes a minimum color shift. What shift there may be is toward a slight blue-black that some photographers find pleasing. With some papers, GP-1 will also improve separation in the highlights. [Pg.116]


See other pages where Gold toning formulas is mentioned: [Pg.113]    [Pg.116]    [Pg.152]    [Pg.154]   
See also in sourсe #XX -- [ Pg.152 ]




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