Pitch range

In music, if a sequence of notes is repeated an octave higher than the original, the tune remains the same, even though the frequency values of the notes are different with respect to the original. Rather it is the constancy of the pattern that gives the perceptions of the tunes being the same. 

The same effect is observable in intonation by increasing the overall pitch of an utterance while keeping the basic tune pattern constant, the perceived tune remains the same. The relationship between intonational tunes in different pitch ranges is not as simple as the musical equivalent. It has been shown that the increase or decrease in pitch range need not be constant throughout the phrase, as utterances always tend towards a fairly constant final FO value. 

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For 1-in./2-in. (bare tube O.D./tinned tube O.D.) the usual range for tube pitch is 2.125-2.5. For a l-in./2.25-in tube, the pitch range would be 2.375-2.75. Reference 265 presents an interesting comparison of the effects of tube pitch on the heat transfer coefficient and pressure drop. 

B) Cartoon representation of the parallel superpleated /J-structure proposed for the N-terminal 70 residues of Ure2p in the fibril. This view down the fibril axis shows the stacking of N-termini with a twist of 3°. For reference, the calculated twist based on fibril pitch ranges from 0.7° to 3.4° from one monomer to the next (Kajava et al., 2004). 

The compressed loudness-time-pitch representation Cy(t, z) of the output of the audio device is scaled independently in three different pitch ranges with bounds at 2 and 22 Bark. This operation performs a global pattern matching between input and output representations and already models some of the higher, cognitive, levels of sound processing. 

PBLG is a para-magnetic material with positive magnetic susceptibility anisotropy ya. It exhibits the cholesteric phase in various solutions with a helical pitch ranging from ten to tens of microns. The unwinding effect is an approach to measure the twist elastic constant K22-... 

INTSINT describes an utterance s intonation by a sequence of labels each of which represents a target point. These target points are defined either by reference to the speaker s pitch range. 

Liberman, M., and Pierrehumbert, J. Intonational invariance under changes in pitch range and length. In Language Sound Structure, M. Aronoff and R. T. Oehrle, Eds. MIT Press, 1984, pp. 157-233. 

INTSfNT describes an utterance s intonation in terms of a sequence of labels, each of which represents a target point. These target points are defined either by reference to the speaker s pitch range, in which case they are marked Top (T), Mid (M) or Bottom (B), or by reference to the previous target point, in which case they are marked Higher (H), Same (S) or Lower (L). In addition, accents can be marked as Upstepped (S) or Downstepped (D). 

Intonational event Context Resultant time position Resultant pitch range position... 

Substitution buckling measurements were made in the critical PDF and the subcritical SE using 2 and 3 concentric tube assemblies of 2% Hl-Th fuel at regular square and rectangular lattice pitches ranging from 9.0 to 12.12 in. with P2O, air. and Dowtherm A as coolants. Similar measurements were also made using 85-rod clusters of THUD 2% uOx-ThO, fuel at two internal rod pitches in the SE. 

Moreover, the degree to which partial volume effects distort polyp morphology is determined by polyp size relative to the effective section thickness and section sensitivity profile, which are primarily a function of collimation, pitch and interpolation algorithm. For SSCT protocols with 3 mm and 5 mm collimation and pitch ranging between one and two, excellent depiction of 6-mm and 13-mm pedunculated polyps and 10 3 mm sessile polyps can be... 

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