Mutus liber

Baulot, Isaac. Mutus Liber. rhttp //pwp.netcabo.pt/r.petrinus/M.Liber.imag.zip].. zip file containing 15 colour images... 

Baulot, Isaac. Mutus Liber. .. preceded by an explicative hypotypose of Magophon [Pierre Dujols], Stavanger , 1985. 

Baulot, Isaac.Mutus Liber introduction and commentary by Jean Laplace. Edited by Jean Laplace. Milan Arche, 1979. 

Sheppard, Harry J. Review of Mutus liber (introduction commentary by Jean Laplace), by Altus. In Ambix 27 66-67.. ... 

Bardon, Franz. The Hebrew of the Mutus Liber. rhttp //www.abardoncompanion.com/MutusLiber. htmll. 1995. 

McLean, Adam. Additional note on the Mutus Liber. Hermetic Jno. 15 (Spring 1982) 44. 

McLean, Adam. A commentary on the Mutus Liber. Edinburgh Magnum Opus Hermetic Sourceworks, 1982. 61p. 

McLean, Adam. A commentary on the Mutus Liber. Edinburgh Magnum Opus Hermetic Sourceworks, 1982 reprint, Grand Rapids (MI) Phanes P, 1991. 77p. ISBN 0-933999-89-5... 

Images flashed before my mind s eye Nicholas Flamel and his wife, Pemelle, their legendary love affair and their unknown end. Mutus Liber ("the silent book") depicts a... 

Altus (Jacob Saulat). Mutus Liber. La Rochelle, France Pierre Savouret, 1677. Amore, Franco, and Gennaro Accursio. Evoluzione del concetto di ambivalenza nella teoria freudiana. Giornale storico di psicologia dinamica 10, no. 20, ns. 0391-2515 (June 1986) 121-42. 

By the seventeenth century interest in alchemy had peaked, and an unprecedented quantity of enigmatically illustrated alchemical books were published, including the many works of Michael Maier (1568-1622), Jacob Bohme (1575-1624), and even a book with pictures and no written text, the Mutus Liber (Silent Book) by Isaac Baulot (1612- ), writing under the name Altus. 

The iconographic relation of the print in the Mutus Liber to Duchamp s Spring—that is, once the latter is understood to represent a thematic composite of the entirety of this plate—is made even clearer by the composition-ally distinct contents belonging to the bottom register of the old, but often reproduced alchemical engraving. Here we see the Alchemist, placed to the... 

The only significant difference between Plates II and VIII in the Mutus Liber is that in the former the contents of the sealed flask turn out to be Neptune with his trident accompanied by two children, who are identified by their attributes as representing the Sun and Moon. To the contrary, Plate XI is an exact duplicate of Plate VIII. 

Mutus Liber Le Litre muet, dans lequel toute la philosophic toute la philosophic hermetique est representee en figures hieroglyphiques.. .. La Rochelle, 1677 rpt. Ed. E. Canseliet. Paris Pauvert, 1967. [See also McLean.]... 

Another development in the seventeenth century was the proliferation of alchemical books. Certain publishers, notably De Bry of Frankfurt, printed almost nothing else. Apart from Michael Maier s Atalanta Fugiens, other celebrated works included the Book of Lambspring (1599), Heinrich Khunrath s Ampitheatre of Eternal Wisdom (1609), and Altus s Mutus Liber (1677), an illustrated book that almost entirely dispensed with a written text. Encyclopaedic compendia appeared, such as the Theatrum Chemicum (1602), and the Theatrum Chemicum Britannicum (1652), edited by Elias Ashmole. 

Pseudonym used by the author of Mutus Liber, the influential wordless book pubhshed at La Rochelle in 1677. His identity remains unknown, although Altus is thought to be an anagram of his real name. Likely candidates of the authorship of the Mutus are Jacob Saulat, who had the work pubhshed, or Isaac Baulot, a physician born in 1619. Baulot had connections with La Rochelle, and met the philosopher John Locke. It is possible,... 

French alchemist and astrologer whose vegetable gold , created through a process inspired by the Mutus Liber, was found to have remarkable curative effects when subjected to laboratory tests. Its high cost and lengthy production techniques prevented it from being marketed commercially. 

Altus. Mutus Liber, first published at La Rochelle in 1677. French edition with commentary by Magophon, translated by Kjell Hellesoe. Stavenger, 1985. 

I do not think that you will make much out of Mutus Liber . I believe I have seen it, but cannot recollect that I got anything out of it. Unless you have arrived at a certain condition, mere Symbolism is not much use. If you have arrived at a certain condition, it teaches everything. 

I must congratulate you on having obtained possession of so many important works. Mutus Liber is probably a copy of Hieroglyphics which existed on the walls of certain Monasteries, the interpretation of which was only made to proved Initiates, and most likely contains the whole Hermetic Art. The reading of it... 

You will find it burdensome to bring so many books. I know pretty well about Ripley, Lulle, La Turbe, and some of the others. The Mutus Liber I have not seen tho I know about it, and it would be as well to bring that. Arnold de Villeneuve is obscure and unsatisfactory, but possibly there may be something in this MS if it were quite convenient for you to bring it, but I would not bother to bring the others. 

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