Marlowe, Christopher

Marlowe, Christopher.The complete plays edited by J.B. Steane. Edited by J.B. Steane. 1969 reprint, Harmondsworth Penguin Books, 1986. 

Marlowe, Christopher. The works of Christopher Marlowe. Edited by C.F. Tucker Brooke. Edited by C.F. Tucker Brooke. Oxford Clarendon P, 1962. 

Marlowe, Christopher. Doctor Faustus. Edited by John D. Jump. The Revels Plays. Manchester Manchester University Press, 1962. 

Marlowe, Christopher. The Complete Plays. Edited by Mark Thornton Burnett. Lorrdon J. M. Dent, 1999. 

Analyzing a similar phenomenon in Marlowe s plays, Matthew Greenfield finds that characters detailed accounts of their own fatal wounds create both a distinctly literal version of interiority and a special metatheatrical claim to audiences attention see Christopher Marlowe s Wound Knowledge, PMLA 119 2 (2004), 233-46. 

Greenfield, Matthew. Christopher Marlowe s Wound Knowledge. PMLA 119 2 (2004), 233-46. 

Massacre at Paris. In Christopher Marlowe The Complete Plays. 

Perhaps the key word in the above is independent , since the equilibrium analysis need consider only the independent reactions among the species involved, not all that can be written out on a piece of paper. (Note also that other simplifications are also often possible in a multiple reaction scheme, such as steps with very small equilibrium constants, or equilibrium constants that are small in comparison to those for other steps. Comparisons are odious. —Christopher Marlowe). An example will be useful here. Let us consider the following possible... 

Christopher Marlowe, Tamburlaine the Great, Part i, in David Bevington, Lars Engle, Katharine Maus and Eric Rasmussen (eds.), English Renaissance Drama A Norton Anthology (New York W. W. Norton, 2002), 183-244. 

John Parker, The Aesthetics of Antichrist From Christian Drama to Christopher Marlowe (Ithaca, NY Cornell University Press, 2007), esp. ch. 4, argues that Marlowe achieves his effects not so much by parodying Christian orthodoxy as by playing on its faultlines. 

Michael Hattaway calls Marlowe s drama pointedly secular Christopher Marlowe Ideology and Subversion , in Darryll Grantley and Peter Roberts (eds.), Christopher Marlowe and English Renaissance Culture (Aldershot Ashgate, 1996), 201. 

On Tamburlaine and christological allusion, see R. M. Cornelius, Christopher Marlowe s Use of the Bible (New York Peter Lang, 1984), esp. 66-71, 140-8 and Hopkins, Christopher Marlowe, 45-6. 

All quotations are taken from Christopher Marlowe, Doctor Faustus and Other Plays, ed. David Bevington and Eric Rasmussen, ist edn (Oxford University Press, 1995). 

This comes from the so-called Baines libel see the entry for Christopher Marlowe in the ODNB. 

See Lois Potter, Marlowe in Theatre and Cinema , in Patrick Cheney (ed.). The Cambridge Companion to Christopher Marlowe (Cambridge University Press, 2004), 268-9. 

Clare, Janet, Marlowe s Theatre of Cruelty , in J. A. Downie and J. T. Parnell (eds.). Constructing Christopher Marlowe (Cambridge University Press, 2000), 74-87 Dobson, Michael (ed.). Performing Shakespeare s Tragedies Today The Actor s Perspective (Cambridge University Press, 2.006)... 

David Bevington and Eric Rasmussen (eds.), Doctor Faustus A- and B-Texts (1604, 1616), Revels Plays (Manchester University Press, 1993) Mark Thornton Burnett (ed.), Christopher Marlowe The Complete Plays, Everyman Library (London Dent, 1999). Unless otherwise stated, all citations of Doctor Faustus are taken from the Everyman edition. 

John Parker, The Aesthetics of Antichrist From Christian Drama to Christopher Marlowe (Ithaca, NY Cornell University Press, 2007), 235. 

Quotations cited in the text from Marlowe s plays come from Christopher Marlowe The Complete Plays, ed. Mark Thornton Burnett (London Dent Rutland, VT Tuttle, 1999). 

Ovid s Elegies, 3.1.11-24, in The Collected Poems of Christopher Marlowe, ed. Patrick Cheney and Brian J. Striar (New York Oxford University Press, 2006). All subsequent citations of Marlowe s poetry in the text are from this edition. 

Harry Levin, The Overreacher A Study of Christopher Marlowe (Cambridge, MA Harvard University Press, 1952), 134. 

See Heather James, The Poet s Toys Christopher Marlowe and the Liberties of Erotic Elegy , Modem Language Quarterly 67 (2006), 103-27. 

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