Extreme long shots

The two most familiar types of camera shots in film are close-ups or long shots. Films are made up of disparate fragments of film, of which close-ups and long shots are but two types. Another would be the extreme long shot (or a camera motion shot—dolly, tracking, trucking, stedicam, tilt, or pan). 

CUT to a WIDE SHOT, at ground level, of LUCY standing on the dark part of the lawn. She is serene and unruffled. She wanders around the lawn until she recognizes the trellis. The MAN and the MOTORCYCLE are gone. She starts to climb the trellis. IRIS lifts the screen window and helps her into the room. Their movements are extremely slow and fragile. LUCY cradles herself in IRIS s long, thin arms. 

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