Dialogue turns

VK Such projects are unthinkable without an appropriate network, without dialogue and without teamwork. The development process is like a game in which the partners take turns until the interaction of energies reaches a climax. The play of ideas and the improvisations accelerate each another until finally, when the collected energy potential is discharged, they lead to the solution you are seeking. 

Details are important for your essay because they help the reader connect with your writing. They often involve the senses. You might describe a scene or an object with such clarity that your reader can almost see it. Or, you might use dialogue or sounds to help your reader hear your essay. Adding detail is important in almost any kind of writing, but it is crucial in the personal essay. The addition of details can turn a weak essay into a winner. 

Recording your questions and reactions in the margins turns you from a passive receiver of information into an active participant in a dialogue. (If you re reading a library book, write your reactions in a notebook.) You will get much more out of the ideas and information you read about if you create a conversation with the writer. Here are some examples of the kinds of reactions you might write down in the margin or in your notebook ... 

I am part of a team with Professor Hare, and we are going to try to put on a joint act. So it might be a good idea to postpone the discussion until after his turn and then we will have a kind of dialogue between us. 

The emotional makeup of a character is also crucial for credibility dialogue plays a role in this, because it is here that character and plot meet. The reason is not always apparent, so let s be explicit it is the emotional reasons that motivate a character toward a goal, a place, or a person and that make the journey dramatic. "I want," "I need," "I must" are the modus operandi of every dramatic form, including the short film. So we turn now to that meeting point of dialogue, character, and emotion—the plot. 

As expected in a melodrama with plot, there will be resolution and, accordingly, an Act I-Act III structure. There also will be twists and turns— thus the catalytic event, the arrest of the driver and the resolution, the arrest of the mother s lover. What also needs to be mentioned is that the presence of plot diminishes the level of characterization in the screenplay as well as the screenplay s dependence on the dialogue for energy. In plot-driven melodramas, the characterizations are often stereotypes, and the energy in the screenplay derives instead from the twists and turns of plot. 

Through the public consultation program, public acceptance for the project goals was gained, effective dialogue was maintained and timely information was disseminated to show that destruction operations were proceeding safely. This program embodied approaches which allowed direct public participation in the development of the project Environmental Protection Plan. This, in turn, led to a more effective environmental assessment in terms of technical approaches and... 

A neeessary eondition for giving emphasis to dialogue and alternative instruments is that a mutual sense of trust exists between the government and the players in the petroleum industry. Trust is, in turn, elosely connected to credibility. This in turn calls for a combination of competence and trustworthiness. 

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