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Austen, Jane

Austen, Jane. Mansfield Park. E.P Dutton Co. Inc., New York. 1963. Austin, Alfred. Prince Lucifer. Macmillan, London. 1891. [Pg.477]

That s why you must give the credentials of any cited expert. It is not good to quote the author of Jane Austen The Ultimate Readers Guide on his opinions about Pride and Prejudice if you don t mention his book. This also helps avoid plagiarism. For another example, recall the flat tax essay. Its assertions could be supported with the following expert sources and their opinions ... [Pg.88]

Animals ex adrenal cortex (stress-, ACTH-induced) J- synthesis in Addison s disease (sufferers Jane Austen,... [Pg.459]

One Flew Over the Cuckoo s Nest by Ken Kesey Pride and Prejudice by Jane Austen Raisin in the Sun by Lorraine Hansberry The Bluest Eye by Toni Morrison The Grapes of Wrath by John Steinbeck... [Pg.190]

In Chapter III discuss some prescient fic or, better, extrascientifk sources for the study of the emotions. I first consider Aristotle, whose account of emotions in the Rhetoric remains utterly fresh and insightful. Next, I consider the treatment of emotions by the French moralists, from Montaigne to La Bruyere. Finally, I discuss what wc can team about the emotions from a handful of novelists and playwrights Shakespeare, Racine, Mme de Lafayette, Jane Austen, Stendhal, and George Eliot. [Pg.11]

Novels and plays are another inexhaustible source of insights and hypotheses. Whereas many of the fictional examples used by philosophers to illustrate this or that theory of the emotions fail to convince because they are too obviously made up for that purpose, the words and actions of characters in a novel or play have an independent authority that allows us to use them as examples and counterexamples. The writers I have found useful as touchstones for theories of the emotions are Shakespeare, Racine, Mme. de Lafayette, Jane Austen, Stendhal, and George Eliot. This is a personal and idiosyncratic choice. 1 claim only that we can learn about the emotions from their writings, not that we cannot also learn, and perhaps learn more, from other writers. [Pg.65]

Ryle, G. (1971), "Jane Austen and the moralists," in S. P- Rosenbaum (ed.), English Literature and British Philosophy, Chicago University of Chicago Press, pp. 168-84. [Pg.448]

For advanced students Write an interpretation of a major nineteenth-century novel, discussing the features of the novel that reflect the conventions of the genre in that time period. Explore social realism in Charles Dickens Great Expectations or David Copperfield, William Makepeace Thackeray s moral stance in Vanity Fair, or Jane Austen s social commentary in Emma. [Pg.121]

Jane Austen edited by Edward Copeland and Juliet McMaster... [Pg.1]

In his Author s Preface to Lear, Bond writes, I write about violence as naturally as Jane Austen wrote about manners (Bond, 1978, p. 3). For Bond violence always has a specific material and ideological site. This is one in which violence is frequently sanctioned by the... [Pg.3]

W. H. Auden edited by Stan Smith Jane Austen edited by Edward Copeland and Juliet McMaster (second edition) Beckett by John Pilling Bede edited by Scott DeGregorio Aphra Behn edited by Derek Hughes and Janet Todd... [Pg.323]


See other pages where Austen, Jane is mentioned: [Pg.75]    [Pg.75]    [Pg.153]    [Pg.16]    [Pg.120]    [Pg.3]    [Pg.135]    [Pg.135]    [Pg.135]    [Pg.140]    [Pg.152]    [Pg.462]    [Pg.468]    [Pg.52]    [Pg.189]    [Pg.301]    [Pg.96]    [Pg.98]    [Pg.99]    [Pg.110]    [Pg.111]    [Pg.76]   
See also in sourсe #XX -- [ Pg.95 , Pg.96 , Pg.140 ]




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