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Audio decibels

It should also be noted that in audio, many operations are calibrated in decibels. This implies the need for a logarithm (base 10). If possible, such computations should be avoided since the Taylor series calculation method is multiplier intensive. Short cuts, such as direct table lookup are preferable when possible. [Pg.119]

The simplest definition of a level measurement is the alternating current (AC) amplitude at a particular place in the audio system. In contrast to dhect current measurements, however, there are many ways of specifying AC voltage. The most common methods are average, root-mean-square (RMS), and peak response. Strictly speaking, the term level refers to a logarithmic, or decibel, measurement. However, common parlance employs the term for an AC amplitude measurement, and that convention will be followed in this chapter. [Pg.2164]

Measurements in audio work are usually expressed in decibels. Audio signals span a wide range of level. The sound pressure of a live concert band performance may be one miUion times that of rustling leaves. This range is too wide to be accommodated on a linear scale. The logarithmic scale of the decibel compresses this... [Pg.2166]

Audio engineers often express the decibel value of a signal relative to some standard reference instead of another signal. The reference for decibel measurements maybe predefined as a power level, as in decibels referenced to 1 mW (dBm), or it may be a voltage reference, as in decibels referenced to 1 V (dBV). When measuring dBm or any power-based decibel value, the reference impedance must be specified or understood. Often it is desirable to specify levels in terms of a reference transmission level somewhere in the system under test. These measurements are designated dBr, where the reference point or level must be separately conveyed. [Pg.2167]


See other pages where Audio decibels is mentioned: [Pg.1021]    [Pg.1680]    [Pg.2164]   
See also in sourсe #XX -- [ Pg.120 ]




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