Sidney, Philip

Sidney, Philip.The poems of Sir Philip Sidney. Edited by William A. Ringler. Edited by William A. Ringler. Oxford Clarendon P, 1962. 

Sidney, Philip.Selected poems edited by Katharine Duncan-Jones. Edited by Katharine Duncan- Jones. Oxford Clarendon P, 1973. 

Sidney, Philip. The Old Arcadia. Edited by Katherine Duncan-Jones. Oxford Oxford University Press, 1985. 

Schultheiz, E. and L. Tardy. The contacts of the two Dees and Sir Philip Sidney with Hungarian physicians. Orvostorteneti Kozlemenyck Suipplement, no. 6 (1972) 97-111. 

These are contained in twelve notebooks, now bound in Ashm. 208,1423,1433, and 1490, for which full details are listed in the Bibliography. On the circulation of alchemical MSS see Webster, Alchemical and Paracelsian Medicine contrast Debus, English Paracelsians 2A dYj >c cu Paracelsian Medicine . For recent works on MS culture see David V2,Asots,En ish Humanist Books Writers and Patrons, Manuscript and Print, 14/ —1 2 (Toronto, 1993) Harold Love, Scribal Publication in Seventeenth-Century England (Oxford, 1993) Arthur Marotti, Manuscripts, Print, and the English Renaissance Lyric (Ithaca, NY, 1995) Henry Woudhuysen, Sir Philip Sidney andthe Circulation of Manuscripts, 1 8—1640 (Oxford, 1996). 

Woudhuysen, Henry, Sir Philip Sidney and the Circulation of Manuscripts, 1338—1640 (Oxford, 1996). 

Patron of the arts, translator, scholar and second Countess of Pembroke. According to John Aubrey, Mary, Sir Philip Sidney s sister, was also alleged to have practiced the art, and Philip s dedication of The Countess of Pembroke s Arcadia to her was entirely fitting the work is full of Hermetic allusions. She was instrumental in having her brother s poem published after his death in 1586. 

Sir Philip Sidney publication in 1587 of his English translation of the book by Du Plessis-Mornay (see next section). 

The various writing styles evident in Shakespeare suggest the nom de plume was for a team. Probable members include Richard Field, Richard de Vere 17 Earl of Oxford, Gabriel Harvey, Edmund Spenser, Sir Edward Dyer, Sir Philip Sidney and Sir Francis Bacon. Their interest seems focused around the players companies that performed each year on St John the Evangelist s Day, December twenty-seventh, a traditional assembly day of Freemasons. 

Philip Sidney, An Apology for Poetry, ed. G. Shepherd (Manchester University Press, 1973), 134. 

George Puttenham, The Art of English Foesie (1589), in Brian Vickers (ed.), English Renaissance Literary Criticism (Oxford University Press, 1999), 230 Philip Sidney, A Defence of Poetry (London, 1595), 363, 381 Thomas Heywood, An Apology for Actors (London, 1612), 494. 

The phrase is from Philip Sidney, in Vickers (ed.), English Renaissance, 363. 

See, for example. Sir Philip Sidney, An Apology for Poetry, ed. Forrest G. Robinson (New York Macmillan, 1970), 74-8. Although Renaissance playwrights frequently disregard the mles laid down hy Sidney, Ben Jonson and other critics, they often simultaneously evidence (as Webster does) a clear consciousness that they are doing so. 

Sidney Fine, Laissez Faire and the General-Welfare State A Study of Conflict in American Thought 1865—1901 389 (1956) (Roosevelt) Philip J. Hills, Protecting... 

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