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Schama, Simon

Schama, Simon. Rembrandt s Eyes. New York Knopf, 1999. [Pg.207]

Schama, Simon. 1995. Landscape and Memory. New York Vintage Books. [Pg.193]

Not surprisingly, in contemporary usage or common currency, the ambivalence of alchemy is generally suppressed. For instance, in a book on Rembrandt, the historian Simon Schama, discussing a self-portrait, writes Using a soft-bristled, precisely pointed squirrel-hair brush, the... [Pg.11]

I didn t even admit this to myself, but I used to think that art museums were not worth the bother. 1 thought most of the images could be seen online. Then 1 discovered Mark Rothko through Simon Schama s The Power of Art and 1 repented of my error. After that, 1 drove to the next state just to see an exhibit of Rothko s paintings at the Portland Museum of Art. 1 only regret that I didn t go twice. [Pg.261]

Then I discovered Mark Rothko through. .. Simon Schama. The Power of Art. 2006, Ecco. [Pg.325]


See other pages where Schama, Simon is mentioned: [Pg.286]    [Pg.101]   
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