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Ivanov Viacheslav

Ivanov, Viacheslav, Sohranie sochinenii v 4-kh tomakh, T.i (Brussels Foyer Oriental Chretien, 1974), p. 606. [Pg.18]

Ivanov, Viacheslav, Presentiments and Portents The New Organic Era and the Theater of the Future (1906) in his Selected Essays, trans. and ed. Robert Bird and Michael Wachtel (Evanston IL Northwestern University Press, 2001), pp. 95-110. [Pg.232]

And not only with Symbolism as such (that is, the method of artistic thought and vision), but with the evolution of Symbolism up to that time. Towards the end of the decade approaching 1910, the articles and speeches of Blok, Bely, and Viacheslav Ivanov had more and more distinctly declared the necessity of profound comprehension of Russia in all its peculiarities, a most important component of which was the mystical essence of the Russian peasantry that comprised the majority of the country s population. The events of the first Russian revolution demonstrated that the age-long silence of this part of Russia was imaginary it was ready to explode with unprecedented revolts . [Pg.32]

In 1962, Viacheslav Ivanov introduced semiotics at its first Moscow symposium. This new cultural discipline, he intimated, was the perfect Russian synthesis it improved on Pavlovian reflexology as well as its humanized successor, reactology, and also on Vygotsky s psychology of art and the... [Pg.282]


See other pages where Ivanov Viacheslav is mentioned: [Pg.119]    [Pg.2]    [Pg.23]    [Pg.126]    [Pg.219]   
See also in sourсe #XX -- [ Pg.119 ]




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