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Archival filmmaking

One way to begin the process is to screen many films and talk with your collaborators about which elements you like or don t like, and which might best serve the project at hand. Do you want to create an intimate portrait or a stylized whodunit A historical film that uses archival footage, or one that uses recreations (or both) Watching several films by the same filmmaker can also help you to get a sense of how style and approach change depending on the project. Conversely, you ll notice how some filmmakers bring a fairly established style to subjects chosen, in part, because they are suited to that style. [Pg.80]

As a filmmaker, do you work to ensure that your storytelling is inclusive, that it covers voices and experiences that might not be readily available in archival material or secondary research ... [Pg.326]

I ve been making historical documentaries for many years, yet I learned new things from this book. This is the definitive guide for archival research for documentary filmmakers. An invaluable resource."... [Pg.370]


See other pages where Archival filmmaking is mentioned: [Pg.87]    [Pg.87]    [Pg.87]    [Pg.87]    [Pg.1]    [Pg.3]    [Pg.13]    [Pg.37]    [Pg.88]    [Pg.90]    [Pg.97]    [Pg.132]    [Pg.135]    [Pg.141]    [Pg.259]    [Pg.259]    [Pg.293]    [Pg.313]    [Pg.351]    [Pg.370]   
See also in sourсe #XX -- [ Pg.87 , Pg.88 , Pg.89 ]




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