Stallybrass, Peter

Debus, Allen. The English Paracelsians. London Oldbourne, 1965. de Grazia, Margareta, Quilligan, Maureen, and Stallybrass, Peter, eds. Subject and Object in Renaissance Culture. Cambridge Cambridge University Press, 1996. 

Stallybrass, Peter. Patriarchal Territories The Body Enclosed. In Rewriting the Renaissance. Edited by Margaret Ferguson, Maureen Quilligan, and Nancy Vickers, 123-44. Chicago University of Chicago Press, 1986. 

Stallybrass, Peter, Reading the Body and the Jacobean Theater of Consumption , in David Scott Kastan and Peter Stallybrass (eds.). Staging the Renaissance Reinterpretations of Elizabethan and Jacobean Drama (New York Routledge, 1991), 210-20... 

Jonathan Crewe notes this ambivalence in The Theatre of the Idols Marlowe, Rankins, and Theatrical Images, Theatre Journal 36 (1984), 321-33, as does Peter Stallybrass in Reading the Body The Revenger s Tragedy and the Jacobean Theater of Consumption, Renaissance Drama 18 (1987), 121-48. 

While Vindice-as-Piato s test can be seen to end happily, with Gratiana s repentance, it is productive of the dissolute behaviour it subsequently reforms. See Peter Stallybrass, Reading the Body The Revenger s Tragedy and the Jacobean Theatre of Consumption , Renaissance Drama n.s.18 (1987), izi-48. 

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