Perfumes galbanum

Green notes are some of the most important in perfumery, finding their way into almost every type of perfume. But because of their frequent strength they are also some of the most difficult to use. Of the natural products available to the perfumer, galbanum is of out-... 

The green side of the perfume which is less pronounced than in Fidji, and more floral, is based on phenylacetaldehyde and cA-3-hexenyl acetate with perhaps a trace of galbanum. Narcisse absolute may also be used. Other materials that add to the building up of the white flower character are Lilial and cyclamen aldehyde in addition to the hydroxycitronellal and Lyral. The tuberose character can be given by the use of the Schiff base derived from methyl anthranilate and Helional, or by the direct addition of methyl anthranilate. The mossy side of the perfume is represented by Evemyl. 

Unfortunately, few perfumes that are as green as Chanel 19 have a wide commercial appeal outside of the couturier market. However, one perfume that is clearly related to it and that has found some success is Silences by Jacomo (1979). Here the galbanum has been modified by the introduction of a cassis note to produce a perfume of outstanding individuality and beauty. So often we find this combination of green and fruity notes in successful modem perfumes. Most of the structure is very close to that of Chanel 19, though with the addition of benzyl salicylate giving a slightly more floral character. 

Galbanum oil is used for creating green top notes in perfume compositions. 

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