Minor chords

As in a musical composition, there is a major chord, and on most occasions there is a minor chord. The same can be applied to phosphatidylinositol and its phosphorylated derivatives. Immediately above, there was mention of three major inositol-containing phosphoglycerides. Over the past few years, identification of so-called minor inositol phosphoglycerides has received in-... 

It is possible to take certain simple loops and stack them into different tracks to create chords, as shown in Figure 3.32. This is a very interesting and creative method that allows you to create all sorts of major and minor chords. It is especially well suited to electronic or dance music, where strange and rich sounds are highly valued. This technique is limited in more conventional acoustic projects because of the artificial way the chords are created. While it can also be a challenging and time-consuming process to find loops suitable for this type of work and then to layer the events into dynamic chords, chording events can produce unique harmonics. To create chords from events ... 

In congruent circles, if two chords are congruent, so are the corresponding minor arcs. 

At the beginning of the orchestral prelude to his opera "Rheingold , Richard Wagner brilliantly shaped the myth of creation in music, which describes nature in its primordial state, at the absolute beginning of all things. For many bars there is no modulation, no chordal variation. Then a chord in E flat minor appears first the tonic can be heard in unfathomable depths, followed by the addition of a fifth, which finally becomes a triad. The nature motive develops as the leitmotif of all creation (Donington, 1976). 

The minor axis of an ellipse is its smallest chord, minimum... 

The foci are at [ea, 0) and (-ea, 0), where e is the eccentricity. Each of the two chords of the ellipse passing through afocus and parallel to the minor axis is called a latus rectum and has a length equal to 21 1 a. 

A minor triad is a major chord with the second note raised a half step (sharpened). This means that the second note is three semitones higher than the root, also known as a minor third. This chord sounds sad or depressing and a C minor third is abbreviated C minor, Cmin, or, most simply, Cm (see Figure 3.17). 

In this book, key progressions are distinct from chord progressions (which are discussed later in this chapter). Key progressions involve only changes from C to Eh to F and so on, while chord progressions involve changes from major to minor (among other harmonics). 

Setting up the key changes is a simple matter. The trick is to insert both the major and minor versions of the audio file into the project in two tracks. Then, the major version is used for the C, F, and G sections, while the A, D, and E sections use the minor version, producing Am, Dm, and Em chords (see Figure 3.31). 

A simple chord progression using a major and a minor variation of an audio file. 

Chords and harmony are very complex topics that extend well beyond major and minor descriptions and well beyond the scope of this brief chapter. Although changing a loop from major to minor is impossible from within AQD, some simple mono-tonal loops can be used to create chords and these chords can be modified and progressed. 

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