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Medieval drama

They had dreamt up this outfit together. Not black, something different, can you do applique Gee you ve got expensive taste. Is it too much of a hassle then No traffic, but it s the feel of it I need to know, the shape. I mean what do you want to look like I don t know. Well, what do you feel like Like an idiot, a fool. I feel like the court jester. And Billy looked through books studied films and ruminated endlessly to finalise a design. Came back from the video shop one night with a medieval drama, she and traffic both leaping up at the entrance of the coxcomb. [Pg.87]

Edited by Israel Gollancz, 166-311. New York Octagon, 1967. Bergeron, David. Art Within The Second Maiden s Tragedy. Medieval and Renaissance Drama in England i (1984), 173-86. [Pg.188]

Neill, Michael, This Gentle Gentleman Social Change and the Language of Status in Arden of Faversham , Medieval and Renaissance Drama in England 10 (1998), 73-97... [Pg.29]

See Alison Shell, Autodidacticism in English Jesuit Drama The Writings and Career of Joseph Simons , Medieval and Renaissance Drama in England, 3 (2000), 34-56. [Pg.57]

Note The most detailed reviews of non-Shakespearean productions are found in academic periodicals see, for example. The Ben Jonson Journal, Cahiers Tlisabethains, Early Modern Literary Studies, The Marlowe Society of America Newsletter, Research Opportunities in Medieval and Renaissance Drama, Shakespeare Bulletin,... [Pg.114]

Smith, Emma, Author v. Character in Early Modern Dramatic Authorship The Example of Thomas Kyd and The Spanish Tragedy , Medieval and Renaissance Drama in England ii (1999), 129-42... [Pg.162]

Winifred Joy MuUigan, The British Constantine An English historical myth . Journal of Medieval and Renaissance Drama 8 (1978), p. 260. [Pg.85]


See other pages where Medieval drama is mentioned: [Pg.641]    [Pg.168]    [Pg.3]    [Pg.14]    [Pg.51]    [Pg.200]    [Pg.234]    [Pg.28]    [Pg.95]    [Pg.74]    [Pg.79]   
See also in sourсe #XX -- [ Pg.51 , Pg.57 ]




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