Greenblatt, Stephen

Greenblatt, Stephen. The False Ending in Volpone. Journal of English and Germanic Philology 75 (1976), 90-104. 

Greenblatt, Stephen, Renaissance Self-Fashioning From More to Shakespeare (University of Chicago Press, 1980), 193-221... 

Greenblatt, Stephen, Shakespearean Negotiations The Circulation of Social Energy in Renaissance England (Berkeley, CA University of California Press, 1988) Haber, Judith, Desire and Dramatic Form in Early Modern England (Cambridge University Press, 2009)... 

The movement New Historicism in American literary studies emerged in the 1980s as a dialectical rejoinder to Continental structuralism and poststructural-ism. Scholars like Stephen Greenblatt, Louis Montrose and Frank Lentrichia appealed to postmodernist and poststructuralist notions of the multiplicity and variability of historical texts and actions to reject the earlier historicist view, associated with Marxist literary criticism, that a literary text mirrors a unified and coherent world-view held by a whole population or by a specific social class. They insisted instead that literary texts could be understood only in relation to... 

William Shakespeare, A Midsummer Night s Dream, in The Norton Shakespeare, ed. Stephen Greenblatt, Walter Cohen, Jean E. Howard, and Katharine Eisaman Mans (New York Norton, 1997). Further references to this play and to other plays by Shakespeare, unless specified otherwise, will be to this edition. 

The Norton Shakespeare. Edited by Stephen Greenblatt, Walter Cohen, Jean E. Howard, and Katharine Eisaman Maus. New York Norton, 1997. 

See Roy W. Battenhouse, Marlowe s Tamburlaine A Study in Renaissance Moral Philosophy (Nashville, TN Vanderbilt University Press, 1947) Cornelius, Marlowe s Use of the Bible, 72-5. See also Stephen Greenblatt, Renaissance Self-Fashioning From More to Shakespeare, rev. edn (Chicago University Press,... 

Stephen Greenblatt, Shakespeare and the Exorcists , Shakespeare and the Question of Theory, ed. P. Parker and G. Hartman (New York Methuen, 1985), 182. William Egginton, How the World Became a Stage Presence, Theatricality, and the Question of Modernity (Albany, NY State University of New York Press, 2003), 77 and 40. 

---