Bell, Clive

Kelly TR, Bell SH, Ohashi N, Armstrong-Chong RJ (1988) J Am Chem Soc 110 6471 Clive DLJ, Tao Y, Khodaborus A, Wu Y-J, Angoh AG, Bennett SM, Boddy CN, Borde-leau L, Kellner D, Kleiner G, Middleton DS, Nichols CJ, Richardson SR, Vernon PG (1994) J Am Chem Soc 116 11275... 

As to whether beauty is or is not part of a picture, Bloomsbury, though well served by Clive Bell on this score, had to await the arrival in their midst of Roger Fry and his first Post-Impressionist Exhibition of 1910 ( Manet and the Post-Impressionists ) to begin to pronounce in public polemical positions of their own (post-impressionism is a term coined by Fry for the... 

See the introduction to J. B. Bullen s edition of Art (Oxford Oxford University Press, 1987), p. xxii First and foremost Art was a manifesto of Bloomsbury aesthetics. . . Strictly, it was a manifesto of Clive Bell s aesthetics, whatever its debt to Roger Fry (note Fry s seminal An Essay in Aesthetics , 1909, reprinted in Vision and Design, London Chatto 8c Windus, 1920, pp. 16-38). 

See Quentin Bell, Bloomsbury (London Weidenfeld and Nicolson, 1968), p. 13 Thus Bloomsbury is always fair game because it can stand for whatever prey the sportsman wishes to kill and easy game because he can fire into the brown . For Wyndham Lewis (1882-1957), F. R. Leavis (1895-1978) and D.H. Lawrence (1885-1930) and Bloomsbury, see the section on Criticisms and Controversies in The Bloomsbury Group, ed. S.P. Rosenbaum (London Groom Helm/University of Toronto Press, 1975), pp. 329-407. For Clive Bell s challenge, see Bloomsbury in Old Friends (London Chatto C Windus, 1956), pp. 126-37, reprinted in Rosenbaum, The Bloomsbury Group. 

Clive Bell, Art (London Chatto 8c Windus, 1914), The Aesthetic Hypothesis , pp. 7-8. 

Clive Bell, Art, Aesthetics and Post-Impressionism , p. 47 Post-Impressionism, or, let us say the Contemporary Movement, has a future but when that future is present Cezanne and Matisse will no longer be called Post-Impressionists. They will certainly be called great artists. . . ... 

This also seems to be the argument of To the Lighthouse, and, as such, the novel may be read as a pre-emptive strike against the elitist position of the art critic and cultural commentator Clive Bell, Woolf s brother-in-law. In the last chapter of Civilization (1928) Bell asks... 

Clive Bell, Civilization An Essay (London Chatto c Windus, 1928), pp. 04-5. 

Clive Bell, Old Friends Personal Recollections (London Chatto 8c Windus, 1956), p. 113. 

Thoby Stephen goes up to Trinity College, Cambridge, where he meets Clive Bell, Lytton Strachey, Saxon Sydney-Turner and Leonard Woolf (3 October). 

Vanessa Stephen marries Clive Bell (7 February). Travels to France (28 March-io April). Moves, with Adrian Stephen, to 29 Fitzroy Square (10 April). Begins writing Melymbrosia , later published as The Voyage Out (summer). Writes Reminiscences (August). 

---